About this time I received my first commission, through Mrs. Pender
(afterwards Lady Pender), who asked my father if I could be induced to
undertake a series of drawings for a friend of hers, Mrs. Butler
Johnstone Munro. Of course, I jumped at the offer, and lost no time in
making the acquaintance of my patroness, who was an eccentric old lady
of eighty, and quite an original character. Her brother, Mr. Munro of
Novar, had left her his collection of pictures of all schools, which
she prized greatly, and she wished me to make a plan and series of
drawings to scale, of the pictures in their frames exactly as they
hung upon the walls of her house in Hamilton Place, that it might give
her an idea how they should be placed in a mansion she was moving
into. The work took me a little over three months to complete, and
when it was done, I made sure of a handsome remuneration from Mrs.
Butler Johnstone, who was very wealthy. Alas! the five-pound note
which she paid me after my first day's work was all I ever got, for
she died suddenly while I was taking a summer holiday, and I was "mug"
enough not to send in a claim to her executors. Thus only the memory
and satisfaction of having studied some of the finest pictures in this
country was left me by way of compensation for my trouble. I often,
however, look back in amusement at some of my experiences while I was
working for this quaint old lady, who, I may mention, seemed to
consider me at her beck and call, and used to telegraph for me to come
and show her guests a portfolio containing an almost unique set of
water-colour drawings by Turner. Colonel Butler Johnstone, M.P. (my
patroness's husband) came into the room one day when I was starting
upon my commission; _he_ evidently had no sympathy with art, for he
said that he thought that I might be better occupied. It seemed to
him, he said, rather ridiculous to undertake such tedious work,
because when it was completed he couldn't see the object of it.
This was a little disconcerting, but I was not discouraged.
Public-domain text, read in full here on John Shaqi.
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