I remember, one summer morning, Mrs. Butler Johnstone arriving on
horseback at my father's house, and sending in a message by the
servant to inform Mr. Leslie Ward, that the "Honourable Mrs. Butler
Johnstone Munro" was waiting to see him, and, upon my hastening
downstairs, I saw at the front door, mounted upon a good, but aged
horse, my strange employer, shielding her wrinkled old face from the
sun with a white parasol, which I afterwards discovered she habitually
used whilst riding in the Park during the season. This call was to ask
me to accompany her to the Kensington Museum, and there to act as her
mouthpiece, she being desirous of making a proposition to Sir
Wentworth Cole as to her intention of making a temporary loan of
pictures to that institute. While we were driving to the Museum in a
hansom cab, I remember that a somewhat ridiculous _contretemps_ took
place. The old lady, in giving her directions to the driver, managed
to get her bonnet and cape entangled and dragged off, and I was
reprimanded severely for the vain attempts I made to act as the
"gallant" in assisting her to replace them.
My visit for six weeks, with my parents, to the first Lord Lytton
(Bulwer Lytton) at Knebworth, made a great impression upon my mind, as
I suppose I began to consider myself "grown up," and was rather
flattered on receiving so interesting an invitation. During my stay I
made a water-colour painting of the great hall, which was hung with
rich red hangings and a fine old Elizabethan curtain. I also both
caricatured from memory and drew a portrait of my host (for which he
sat), for his appearance proved an irresistible attraction to me. Lord
Lytton had a remarkably narrow face with a high forehead; his nose was
piercingly aquiline, and seemed to swoop down between his closely-set
blue eyes, which changed in expression as his interest waxed and
waned. When he was interestedly questioning his neighbour, he became
almost satanic looking, and his glance grew so keenly inquisitive as
to give the appearance of a "cast" in his eyes. Carefully curled hair
crowned his forehead, and his bushy eyebrows, beard and moustache gave
a curious expression to his face, which was rather pale, except in the
evening, when he slightly "touched up," as the dandies of his day were
in the habit of doing. His _beau ideal_ was D'Orsay, and he showed the
nicest care in the choice of his clothes. His trousers were baggy as
they tapered downward, and rather suggested a sailor's in the way they
widened towards the feet. I can see him now standing on the hearthrug
awaiting the announcement of dinner--dressed up "to the eyes," and
listening with bent, attentive head to his guests. It was typical of
Lord Lytton that he listened to the most insignificant of his guests
with all the deference that he would have shown to the greatest.
Replacing his hookah (for he smoked opium) he would be silent for a
considerable time, watching us out of his odd eyes, and when he spoke
Public-domain text, read in full here on John Shaqi.
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