American fiction -- 19th century; California -- Social life and customs -- 19th century -- Fiction; Western stories
Porter was reputed to be well off, if the unknown were poor, that might
be another drawback.
The banking house of Bookham & Sons did not present an illusive nor
mysterious appearance. It was eminently practical and matter of fact; it
was obtrusively open and glassy; nobody would have thought of leaving
a secret there that would have been inevitably circulated over the
counter. Cass felt an uncomfortable sense of incongruity in himself,
in his story, in his treasure, to this temple of disenchanting realism.
With the awkwardness of an embarrassed man he was holding prominently in
his hand an envelope containing the ring and advertisement as a voucher
for his intrusion, when the nearest clerk took the envelope from his
hand, opened it, took out the ring, returned it, said briskly, "T'other
shop, next door, young man," and turned to another customer.
Cass stepped to the door, saw that "T'other shop" was a pawnbroker's,
and returned again with a flashing eye and heightened color. "It's an
advertisement I have come to answer," he began again.
The clerk cast a glance at Cass's scarf and pin. "Place taken
yesterday--no room for any more," he said, abruptly.
Cass grew quite white. But his old experience in Blazing Star repartee
stood him in good stead. "If it's YOUR place you mean," he said coolly,
"I reckon you might put a dozen men in the hole you're rattlin' round
in--but it's this advertisement I'm after. If Bookham isn't in,
maybe you'll send me one of the grown-up sons." The production of the
advertisement and some laughter from the bystanders had its effect.
The pert young clerk retired, and returned to lead the way to the
bank parlor. Cass's heart sank again as he was confronted by a dark,
iron-gray man--in dress, features, speech, and action--uncompromisingly
opposed to Cass--his ring and his romance. When the young man had told
his story and produced his treasure he paused. The banker scarcely
glanced at it, but said, impatiently,--
"Well, your papers?"
"My papers?"
"Yes. Proof of your identity. You say your name is Cass Beard. Good!
What have you got to prove it? How can I tell who you are?"
To a sensitive man there is no form of suspicion that is as bewildering
and demoralizing at the moment as the question of his identity. Cass
felt the insult in the doubt of his word, and the palpable sense of his
present inability to prove it. The banker watched him keenly but not
unkindly.
"Come," he said at length, "this is not my affair; if you can legally
satisfy the lady for whom I am only agent, well and good. I believe you
can; I only warn you that you must. And my present inquiry was to keep
her from losing her time with impostors, a class I don't think you
belong to. There's her card. Good day."
Public-domain text, read in full here on John Shaqi.
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