Fountains Abbey: The story of a mediæval monasteryHodges, George
History
Fountains Abbey: The story of a mediæval monastery
Hodges, George
Fountains Abbey (North Yorkshire, England)
Three Johns ruled Fountains during the first half of the thirteenth
century, and substantially completed the fabric of the Abbey. John of
York (1203-1211), like his predecessor Ralph, had been a novice at
Fountains, and had passed thence to the abbacy of a daughter house. He
was recalled to the Abbey from Louth Park. John was a good man, of whom
but one complaint has found its way into the chronicle: some envious
persons said that he desired to be a bishop. This aspersion, however,
seems to have been due chiefly to his unusual grace of manner, and to
his large and liberal administration. Bred, though he was, in the
monastery, and getting absolutely
[Illustration: _Fountains Abbey._
_The Interior looking West._
_Photo. Frith._ _Art Repro. Co.]
nothing--as the chronicler assures us--from his native place but his
name, he appears nevertheless to have been acquainted with the world. He
was a hospitable person--_Dapsilis in mensa, communis in victu_--and
excelled in magnificence all who had preceded him. The King of England,
at that moment, was of the same name as the abbot; whom, however, he
resembled in no other particular. King John perceived the great wealth
of the religious houses, especially of the Cistercians, and began to lay
hold of it with a rapacious hand. But Abbot John, partly by courtly
manners, partly by his prudent use of the Abbey’s money, won the King’s
favour, and was thereby enabled to aid other houses in distress.
It may have been this general danger, and the comparative immunity of
Fountains in the midst of it, which at this time greatly increased the
monastic household. There were now so many brethren that the choir was
too small for them, and there were not altars enough. Abbot John,
accordingly, conceived the idea of rebuilding and vastly enlarging the
east end of the church. To him is commonly ascribed the plan of the new
chancel, and of the chapel of the nine altars. He had already laid the
foundations of these splendid structures, to the amazement of his
contemporaries, and had raised certain columns, when in the midst of his
work he died--_feliciter migravit ad Dominum_.
Public-domain text, read in full here on John Shaqi.
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