Fountains Abbey: The story of a mediæval monasteryHodges, George
History
Fountains Abbey: The story of a mediæval monastery
Hodges, George
Fountains Abbey (North Yorkshire, England)
Passing under this gallery, through the door of the choir screen, the
visitor stood in the central sanctuary, the church of the monks of the
cloister. On either side were twenty stalls, and against the screen,
facing the east, were three stalls on the right of the entrance, and
three on the left. The number of the stalls is determined by the
discovery of nine earthen pots buried in the masonry which underlay
them. These pots were, no doubt, as in several other churches, an
acoustic experiment. The distances between them indicate how many there
were in the whole range. In front of the stalls of the monks were lower
seats for the novices. In addition to the entrance through the choir
screen, there were two other ways of access, at the east end of the
stalls, on either side. Here is still on either side a stone step,
significantly worn. On the north side, stairs led to a high seat over
the door. In the middle alley, where the lecturn may have stood at which
the lessons were read at matins, an abbot was buried.
The presbytery, or chancel, began at these choir doors, and was raised a
step or two. Across the long space of its shining floor stood the third
partition, called the altar screen. Against it was the high altar.
Thus the church was divided into three churches; one for the brothers of
the cellarium, ending at the rood screen; one for the infirmary
brethren, ending at the choir screen; one for the brethren of the
cloister, ending at the altar screen. On the two sides of this
three-fold sanctuary ran long aisles, from the west wall to the chapel
of the nine altars. In the middle of this distance, the aisles opened
into transepts, north and south. The nave aisles, at first unobstructed
for passage around the church, were presently cut up by cross partitions
into chapels; but the choir aisles continued to be used as ambulatories.
The transepts served as antechambers for the chapels which opened out
from them to the east.
Each transept had originally three of these chapels, but the building of
the new chancel had taken away the inner one on each side. Of the two
which thus remained, the outer chapel of the north transept had been
changed into a store-house when the tower was built, so that only the
chapel which was in the middle remained. Over the door, under a bracket,
is still to be read an inscription which informs us that it was
dedicated to the Archangel Michael.
The north transept ended in the noble tower of four storeys, the third
of which was probably for the bells, whilst the second may have served
as the sleeping-room of the men who rung them. The inscriptions which
ran round the outside of the tower are still in great part legible.
“Blessed be the name of Jesus Christ,” said the stones above.
“Blessing and wisdom and honour and power be to our God for ever”; “To
the King, eternal, immortal, invisible, be honour and glory for ever,”
said the middle lines.
Public-domain text, read in full here on John Shaqi.
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