Fountains Abbey: The story of a mediæval monasteryHodges, George
History
Fountains Abbey: The story of a mediæval monastery
Hodges, George
Fountains Abbey (North Yorkshire, England)
The “chapel of nine altars” had seven of these holy tables against its
east wall, the three which would naturally have stood under the great
window being combined into one. Each altar had its aumbry or closet for
the sacred vessels, and was parted from its neighbour by a low barrier
of wood, while a similar wall ran along the front of the whole row,
with doors admitting to the altars. There was a gallery over the altar
screen which parted the chapel from the presbytery; and a little gallery
over the door in the south-west corner, which was connected by a long
overhead passage with the abbot’s lodgings. It is likely that at
Fountains, as at Durham, there was a closet against the south wall,
where at the time of saying mass the sacristan provided the monks with
bread and wine for their various altars.
Having thus examined the church, we may imagine ourselves at service in
it upon some high occasion. The lay brothers in their brown gowns are in
their stalls. The monks are in their places in the choir. They are
dressed in white woollen cassocks, tied with a black girdle, and have
over breast and back a scapulary--a straight breadth of black cloth
before and behind, the two pieces fastened at the shoulders. Over this
plain garb, each monk now wears one of the gorgeous copes of the
sacristy. There are two candles on the high altar, and behind them is
the tablet with the three images, probably our Lord on the Cross, with
St. Mary on one side and St. John on the other, with “beads and plate of
silver-gilt, and some part gold and set with stones.” Back of the altar,
suspended high against the screen and falling to the floor, is a
tapestry hanging, of Arras work. The holy table is spread with white
damask embroidered with flowers. On a shelf in a carved recess of the
south wall are a basin and ewer for washing the priest’s hands; a
boat-shaped vessel for incense, with a spoon; two cruets, a pair of
silver censers, and a chalice and a paten for the bread and wine. Over
the head of the celebrant as he prays hangs a silver basin in which
burns a candle. All these things were in the Abbey when the final
inventory was made.
Thus the service begins; the commemoration of the supreme
self-sacrifice. The smoke of incense drifts across the light of the east
window; and there is a sound of chanting, imploring, adoring voices.
Hands are outstretched to receive the mystic bread and wine. And
presently they go out to undertake again their homely tasks in the name
of Him to whom belong the church and themselves.
Public-domain text, read in full here on John Shaqi.
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