Fountains Abbey: The story of a mediæval monastery — John Shaqi
Fountains Abbey: The story of a mediæval monasteryHodges, George
History
Fountains Abbey: The story of a mediæval monastery
Hodges, George
Fountains Abbey (North Yorkshire, England)
One of Abbot Grenewell’s purchases was a great clock, made by John
Ripley, and probably set in the south transept of the church. In the
middle of the hot day in summer, after the service of sext, and late in
the afternoon in winter, after nones, when the clock pointed to the
proper hour, a bell in the cloister rang for dinner; either a bell or a
board struck with a mallet. Outside the refectory door, on either hand,
were stone troughs with running water from the river. In the middle of
the cloister is a great stone bason. When that welcome sound was heard,
the brothers washed their hands in the troughs or in the bason, wiping
them on a roller towel which hung beside the door. Then they entered
their noble dining-hall, lofty as a church, with ceiling of wood and
floor of stone, wainscoted above the height of a man’s head, and having
down the midst a row of marble pillars. At the end opposite the door,
and along the wall on both sides, were stone benches, and in front of
them were tables of oak, covered with linen cloth. The prior commonly
presided, the abbot dining in his own lodgings. All stood in silence
till the prior was in his place, and remained standing while he rang a
little bell during a time sufficient for the saying of the fifty-first
psalm. When the bell stopped, the priest of the week said grace, and
they all sat down.
In the fair gallery of stone in the west wall, deeply recessed and
lighted by great windows, reached by a short flight of stone steps, the
reader stood to accompany the silent meal with words of Holy Scripture
and of ancient authors. The kitchen adjoined the refectory on the west,
having its great ovens in the middle of the room, and entered from the
refectory by a service door which had a round revolving shelf across the
middle of it. Between the door to the gallery and the door to the
kitchen there was perhaps a sideboard; and in the corners toward the
cloister were cupboards for cups and plates and spoons, each provided
with a sink. There were forty-five silver spoons here when the inventory
was made, but only three small cups or mazers, and one big one, of
silver. This would appear to indicate that the cups and plates were of
some cheap material and not worth counting.
Public-domain text, read in full here on John Shaqi.
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