Fountains of Papal RomeMacVeagh, Fanny Davenport Rogers
History
Fountains of Papal Rome
MacVeagh, Fanny Davenport Rogers
Fountains -- Italy -- Rome
When the Emperor Constantine, after his conversion to Christianity,
determined to build a basilica in honor of St. Peter, he planned to
erect the edifice so that its centre should rise directly over the
tomb of St. Peter, who, according to historical documents, was buried
not far from the scene of his martyrdom. To do this, he found himself
obliged to build so near the Circus of Caligula and Nero that the
southern wall of his edifice corresponded exactly to the northern
wall of the Circus. He therefore used this wall of the Circus as the
southern foundation wall of his church. This naturally brought the
southern side of the old St. Peter’s within a very short distance of
the _spina_ of the Circus, on which stood the obelisk, with a chapel
before it called the Chapel of the Crucifixion. The Chapel disappeared
seven or eight centuries ago, but not before its true significance
had been quite forgotten, and men supposed the name to refer not to
the crucifixion of St. Peter but to the Crucifixion of Our Lord. An
old engraving by Bonanni, antedating the reign of Sixtus V, shows
the old Church of St. Peter on its southern side, with the obelisk,
still tipped by its Pagan ball, standing in close proximity. When the
plan for the new Church of St. Peter was accepted it was seen that
the southern side of the great edifice would extend so far beyond the
limits of the original church that it must entirely cover the spot on
which the obelisk was standing; and as the connection of the obelisk
with the martyrdom of St. Peter had long since been forgotten, Pope
Sixtus V conceived the idea of moving the obelisk to a more conspicuous
and important position.
Thus it came about that the obelisk now forms the central feature in
the piazza before the Cathedral of Christendom; while the place of
St. Peter’s crucifixion, that site of transcendent interest to all
Christians, remains unidentified, buried beneath the masses of masonry
composing the Baptistery on the southern side of the vast structure
which bears St. Peter’s name.
SCOSSA CAVALLI
[Illustration]
SCOSSA CAVALLI
Public-domain text, read in full here on John Shaqi.
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