My arms began to ache before I had done that very long. Finally I put
my feet on the typewriter case and rested the book on my knees. Except
for the fact that I had no backrest, since the typewriter case came
most of the way up the back of the chair, I was quite comfortable in
this position. The only flaw in the arrangement was that every few
seconds I'd catch a glimpse of lights down the highway, and I'd have to
stop reading and gauge the speed of the car.
If it was a fast one, I could return to my reading; if it was a slow
one, I yelled, "Eep!" at Grant, and he'd go into action. At first I had
said to him, when I saw a slow car, "Better go outside, dear. Here
comes one that looks like it might stop."--or, "Hurry out there! Here
comes a slow one!" But I reasoned that all that was a tremendous waste
of energy. After all, he knew perfectly well I wasn't sitting in front
of the kitchen window in such an uncomfortable position because I
thought it would improve my complexion. He knew why I was sitting
there, and there was no need for me to launch into detailed
explanations whenever I saw a slow car. So I saved time and energy by
simply remarking "Eep"; and he always knew exactly what I meant.
Cars came dribbling along the highway every few seconds, and although
the actual prospects were few, the interruptions to my reading were
many. I seldom was able to finish two consecutive sentences before the
twinkle of headlights dragged me away from the printed words.
Sometimes I thought it might be easier just to give up the idea of
reading.
It was difficult, too, to keep up with my writing. If I tried to write
in our own cabin, the proximity of Grant and the children, and their
noise, made it impossible for me to concentrate. And Grant didn't like
having me go to cabin 15 for a few hours at a time, since that left him
with a lot to handle. For a time I kept my writing to a minimum,
neglecting every phase of it except a monthly feature I was doing
regularly for a women's digest magazine. I grew very dissatisfied with
the unproductiveness of my daily routine, though, and told Grant I must
start writing again. He agreed to take over the entire responsibility
of the place and the children during the baby's afternoon nap if I'd be
gone only an hour; at any time after an hour, the baby might wake up
and it was difficult for him to manage her and wait on customers at the
same time.
The children were both in bed by seven-thirty every night, and each
night at seven-thirty-five I went back to cabin 15, with my writing
paraphernalia and my watch and a match to light the heater, to stay
until nine, when I'd go back to look out the kitchen window for slow
cars. (On the nights when we didn't have many vacancies left at that
time, and it looked as though number 15 might be rented soon, I went
into our kitchen to write, after first extracting a solemn promise--a
new one each night--from Grant that he would keep out.)
Public-domain text, read in full here on John Shaqi.
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