The ceiling on Main City Level is two hundred feet high; in order to
permit free circulation of air and avoid traffic jams, nothing is
built higher than a hundred and fifty feet except the square
buildings, two hundred yards apart, which rest on foundations on the
Bottom Level and extend up to support the roof. The _Times_ has one of
these pillar-buildings, and we have the whole thing to ourselves. In a
city built for a quarter of a million, twenty thousand people don't
have to crowd very closely on one another. Naturally, we don't have a
top landing stage, but except for the buttresses at the corners and
solid central column, the whole street floor is open.
Tom hadn't said anything after we left the stacks of wax and the men
guarding them. We came up a vehicle shaft a few blocks up Broadway,
and he brought the jeep down and floated it in through one of the
archways. As usual, the place was cluttered with equipment we hadn't
gotten around to repairing or installing, merchandise we'd taken in
exchange for advertising, and vehicles, our own and everybody else's.
A couple of mechanics were tinkering on one of them. I decided, for
the oomptieth time, to do something about cleaning it up. Say in
another two or three hundred hours, when the ships would all be in
port and work would be slack, and I could hire a couple of good men to
help.
We got Murell's stuff off the jeep, and I hunted around till I found a
hand-lifter.
"Want to stay and have dinner with us, Tom?" I asked.
"Uh?" It took him a second or so to realize what I'd said. "Why, no,
thanks, Walt. I have to get back to the ship. Father wants to see me
before the meeting."
"How about you, Bish? Want to take potluck with us?"
"I shall be delighted," he assured me.
Tom told us good-by absent-mindedly, lifted the jeep, and floated it
out into the street. Bish and I watched him go; Bish looked as though
he had wanted to say something and then thought better of it. We
floated Murell's stuff and mine over to the elevator beside the
central column, and I ran it up to the editorial offices on the top
floor.
We came out in a big room, half the area of the floor, full of
worktables and radios and screens and photoprinting machines. Dad, as
usual, was in a gray knee-length smock, with a pipe jutting out under
his ragged mustache, and, as usual, he was stopping every minute or so
to relight it. He was putting together the stuff I'd transmitted in
for the audiovisual newscast. Over across the room, the rest of the
_Times_ staff, Julio Kubanoff, was sitting at the composing machine,
his peg leg propped up and an earphone on, his fingers punching
rapidly at the keyboard as he burned letters onto the white plastic
sheet with ultraviolet rays for photographing. Julio was an old
hunter-ship man who had lost a leg in an accident and taught himself
his new trade. He still wore the beard, now white, that was
practically the monster-hunters' uniform.
Public-domain text, read in full here on John Shaqi.
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