There was a good deal in what she said. I had to give up my suggestions,
and I tried to give Nora some idea of what are called "optical delusions,"
though my own comprehension of the theory was of the vaguest. She
listened, but I don't think my words had much weight. And at last I
told her I thought she had better go to bed and try to sleep. I saw she
shrank from the idea, but it had to be.
"We can't sit up all night, I suppose," she said, "but I wish we could.
I am so dreadfully afraid of waking in the night, and--and--_seeing him
there again_."
"Would you like to sleep in my bed? though it is so tiny, I could make
room and put you inside," I said.
Nora looked wistfully at the haven of refuge, but her good sense and
considerateness for me came to the front.
"No," she said, "neither of us would sleep, and you would be _so_ tired
to-morrow. I will get into my own bed, and I _will_ try to sleep, mamma."
"And listen, Nora; if you are the least frightened in the night, or if
you can't sleep, call out to me without hesitation. I am sure to wake
often, and I will speak to you from time to time."
That was the longest night of my life! The first part was not the
worst. By what I really thought a fortunate chance it was a club night
of some kind at Silberbach--a musical club, of course; and all the
musically-gifted peasants of the countryside assembled in the sanded
parlour of the "Katze." The noise was something indescribable, for
though there may have been some good voices among them, they were
drowned in the din. But though it prevented us from sleeping, it also
fairly drove away all ghostly alarms. By twelve o'clock or thereabouts
the party seemed to disperse, and all grew still. Then came some hours I
can never forget. There was faint moonlight by fits and starts, and I
not only found it impossible to sleep, I found it impossible to keep
my eyes shut. Some irresistible fascination seemed to force them open,
and obliged me ever and anon to turn in the direction of the stove,
from which, however, before going to bed, I had removed the blue paper
parcel. And each time I did so I said to myself, "Am I going to see that
figure standing there as Nora saw it? Shall I remain sane if I do? Shall
I scream out? Will it look at _me_, in turn, with its sad unearthly
eyes? Will it speak? If it moves across the room and comes near me, or
if I see it going towards Nora, or leaning over my Reggie sleeping there
in his innocence, misdoubting of no fateful presence near, what, oh!
what _shall_ I do?"
Public-domain text, read in full here on John Shaqi.
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