Domestic fiction; Families -- Juvenile fiction; Historical fiction; New York (N.Y.) -- Juvenile fiction; Sisters -- Juvenile fiction
“Of course she is,” said Dulcie in a tone of conviction. “She’s been
out all day with her basket, and she’s wet through and so cold and
hungry. But her basket isn’t full yet, and she doesn’t dare go home,
for fear that dreadful woman will beat her.”
Dulcie gave a little shiver, and glanced from the window back to the
warm, comfortable room.
“It’s terribly sad,” said Daisy, with a sigh. “I do wish we could help
her find her family. If we could only get acquainted with her, we might
be able to find out how she was stolen. They always remember something,
you know, even if it’s happened when they were very little.”
“Let’s make up some more about her,” said Molly. “Come and sit close to
the register, it’s so nice and warm. It’s nicer to talk about things
like that when you’re very comfortable.”
“All right,” agreed Dulcie, and they all four gathered round the
register, where the hot air from the furnace puffed in their faces.
“You begin, Dulcie,” commanded Daisy. “You make up so much better than
we do. Tell what’s going to happen when she gets home to-night.”
“Well,” began Dulcie, her eyes growing big and dreamy, as they always
did when she “made up things.” “It will be quite dark before she dares
to go home, and she will be so tired that she can hardly drag herself
up the long flight of stairs, to that dirty garret. There won’t be any
fire because the wicked old woman will be drunk again. She’ll be asleep
on a pile of rags, snoring very loud, and the stolen child will be
afraid to wake her. So she’ll put down her basket, and creep away into
a corner, and sit there shivering, and trying to keep her teeth from
chattering. But by and by she’ll remember the little prayer her mother
taught her, and after that she won’t be quite so unhappy, and---- Why,
Maud, what is the matter--whatever are you crying about?”
“I--I don’t like it,” sobbed Maud, the tender-hearted, flinging herself
upon Dulcie’s lap. “I don’t want the poor little girl to be so cold and
hungry.” And the sobs changed to a wail.
“Oh, hush, lovey, don’t cry like that,” pleaded Daisy, soothing and
petting her little sister, while Dulcie added in hasty explanation:
“Don’t be such a baby, Maud. It’s only a story I’m making up. We don’t
really know anything about the little girl at all.”
“But you said--you said she was so cold and so hungry,” wailed Maud,
“and I don’t like to hear about people being cold and hungry.”
“Oh, Maud, do stop,” protested Molly. “If you cry so loud, Grandma will
hear, and think how she’ll scold.”
But Maud’s feelings were not so easily soothed, and she continued
to sob, and to declare over and over again that she didn’t like sad
stories--she didn’t want to hear about the stolen child--until the
other three were at their wits’ end.
Public-domain text, read in full here on John Shaqi.
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