XVI.--RECORDS TWO VICTORIES OVER WICKASAW AND AN
EPISODE WITH FISH 159
XVII.--WITNESSES THE DEPARTURE OF THE FOUR ON A CANOE
TRIP AND BRINGS THEM INTO CAMP FOR THE NIGHT 174
XVIII.--TELLS HOW THEY FOUND A DERELICT AND A COURSE
DINNER, AND MET WITH SHIPWRECK 189
XIX.--CONCERNS ITSELF WITH THE DANGEROUS PLIGHT OF
DAN AND NELSON AND THE COURAGE OF THE
LATTER 199
XX.--RELATES THE CONCLUSION OF THE TRIP AND WHAT
HAPPENED AT CAMP 210
XXI.--TELLS HOW THE FOUR LAID PLANS AND HOW BOB
PREPARED FOR A VICTORY 219
XXII.--NARRATES THE PROGRESS OF THE CONTEST WITH
WICKASAW AND WITNESSES THE DISINTEGRATION OF
ONE WELLS 233
XXIII.--PROVES THE SCORE-BOOK IN ERROR AND CLOSES THE
STORY 242
LIST OF ILLUSTRATIONS
FACING
PAGE
“Coming! Don’t give up, boys!” _Frontispiece._
Camp Chicora. 6
He was tracing a monstrous C. 80
“Look!” he cried. 120
“Over with them,” said Dan. 162
He dashed for the plate. 244
[Illustration: Camp Chicora.]
FOUR IN CAMP
CHAPTER I
INTRODUCES NELSON TILFORD, AND WITNESSES HIS ARRIVAL AT CAMP CHICORA
“That’s Chicora over there.”
The man at the wheel turned to the boy standing beside him and nodded
his head at a landing toward which the nose of the big steam-launch was
slowly turning. It lay less than an eighth of a mile away across the
smooth waters of the lake, a good-sized wharf, a float, a pole from
which a blue-and-gray flag hung lifeless, and a flotilla of various
kinds of boats. Several figures stood upon the pier, and their voices
came shrill and clear across the intervening space. From the shore,
which here circled inward into a tiny cove, the hill swept up rather
abruptly for three hundred feet or more, and a third of the way up the
gleam of unpainted boards through the trees told Nelson Tilford of the
location of the camp which was to be his home for the next two months.
It was a pleasant, peaceful scene before him, but the shadow of the
hill had already crept well into the lake, leaving the shore and wooded
slope in twilight, and a slight qualm of loneliness stole over him for
the instant.
Public-domain text, read in full here on John Shaqi.
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