SOPHIA: But it could be altered, if men would only become clear on one point. They could say that it is irrational for the soul to reproduce what higher powers have already set before us as the highest form of art. Yet these same powers have implanted in man a desire to continue to work upon creation in a certain sense, in order to give to the world what these powers have not yet placed before the senses. In all that man can create, the original powers of creation have left nature incomplete. Why should he reproduce her imperfections in an imperfect form, when he has the ability to change that imperfection into perfection? If you think of this assertion as changed into an elemental feeling you will understand why I feel a sense of distress towards much that you call art. This perception of an imperfect reproduction of some obvious truth must needs produce distress. On the other hand, the least perfect representation of what is concealed behind the outwardly observed phenomenon may prove a revelation. ESTELLA: You are really talking of something that nowhere exists. No true artist really tries to give a bare reproduction of nature. SOPHIA: That is just why so many works of art are imperfect; for the creative function leads of itself beyond nature, and the artist cannot know the appearance of what is outside his senses. ESTELLA: I see no possibility of our coming to any understanding with one another on this point. It is indeed sad that, in these most important problems of the soul, my best friend follows views so different from my own. I hope our friendship may yet fall on better days. SOPHIA: On such a point we shall surely be able to accept whatever life may bring us. ESTELLA: Au revoir, dear Sophy. SOPHIA: Good-bye, dear Estelle. Curtain SCENE 8 Same room as for Scene 1. Johannes at an easel, before which Capesius, Maria, and Strader are also seated. JOHANNES: I think those are the final touches now, And feel that I may call my work complete. Especial pleasure hath it given me Thy nature to interpret through mine art. CAPESIUS: