"I never knew one who did not take me for a fool if I spoke well of them. Pardon me. You are not a Roman?" "I am a German." "Bless God for it." They reached the gate in silence, and turned into the Piazza Barberini. The wounded man pointed to a small house in the corner of the place, ruinous and dark. When the horse stopped before the humble door, its rider let himself slide off before the other could assist him, but then sank helplessly down. "It is worse than I thought." he said; "do me one kindness more, and help me in,--here is the key." The young man supported him, called to a boy to hold the horse, and to a loiterer to open the door. It was quite dark within, the damp cold struck unpleasantly upon them. He bore him as directed, to the left, into a large bare room. "Where is your bed?" asked the German. "Where you will; but I would rather lie over there by the wall. This brave old Palazzo! They are going to pull it down in the spring; I fancy that it will not have the patience to wait for them." "And you still remain here?" "It is the cheapest way of getting buried," said the man, drily. "I can play the host here gratis." In the mean time, the boy had struck fire, and lighted the little brass lamp that stood in the window. The young man helped the wounded one to a coverlid spread on some straw, and covered him scantily enough with his tattered cloak. With a deep sigh the powerful frame sank down, and the eyes closed. The German gave the boy money and directions, and then went out without leave-taking, sprang up on his horse, and rode hastily away. In about a quarter of an hour he returned, bringing with him a surgeon. Whilst the latter examined and bound up the wounds on arm and leg, which the wounded man permitted him to do without a murmur escaping him, the young German looked around the room: it was bare, and the plaster had fallen in large masses from the walls. The joists of the ceiling stood naked and blackened, the wretched window let in the cutting night air, there was but little furniture. Meanwhile the boy brought in an armful of wood, and made a fire on the hearth. As it gleamed up redly some dusty clay figures and plaster casts became visible in the corner. A large dolphin which bore a dead boy on its back, a Medusa in relief, colossal, the hair, not yet vivified into serpents, curled wildly around the sorrow-laden brow. He could not remember that he had ever seen this rendering in an antique. Casts from the arms, bust, and feet of a young girl, amongst hasty sketches in clay, stood and lay in confusion. On a table were the different kinds of apparatus used by cameo-cutters, and some sticks with half-finished works, for the most part Medusa heads, resembling the great one, but with different degrees of passion and grandeur. Uncut shells, casts of gems, and casts in glass and plaster, lay in a box near them.