At last they entered a house. I did not dare to knock, but I stood before the door for half an hour, as if rooted to the spot, and saw the curtain move, but she did not appear; once only the repulsive face of the old woman showed itself at the window; she did not see me, as I was concealed in the shadow of the houses--and so, at last, I tore myself away, and here I am, if it can be called being here, when the floor seems to glow under my feet, and my soul recoils at finding itself in the presence of other human beings." He threw himself into a chair. He did not observe that Bianchi still remained standing by the door, or that he had not uttered a sound since he entered--he looked straight before him. "To-day, for the first time," he began again, "after miserable weeks of pressure and despondency, to drink in a full draught of life, to enjoy one hour which raises me above myself--who would not float so for ever with swelling sails out into the open sea?--but to crawl along the coast in a tattered boat, to turn and wind at the will of the shore, and after all to be cast away on a pebble!--miserable cowardice!" At these words he raised his eyes, and they caught the model opposite him. The evening sun shone redly through the window, and the sharply-defined figures stood out in bold relief. A youth stood by a river's bank, by which the bow of a boat, bearing the wild form of the grisly ferryman, was waiting. One foot of the parting one was already on the gunwale, but the face and the outstretched arms, waving a farewell, were turned towards the opposite side, where a fair female figure, with a cornucopia, sat under a fruit-laden tree, with her head bowed in a noble attitude of sorrow; the genius of love leaned by her side, his torch reversed, expiring, with his eyes clinging to the youth, as if it were possible to hold him back; but between them stood, stern and implacable, the ghastly forms of the Parcæ.