Theodore stared speechlessly at the head of the youth, whose features calmed him irresistibly. He had given Bianchi a portrait of Edward, which Mary had painted but a few days before his death. It showed the noble features in all the beauty of the approaching transfiguration; and the eyes, in particular, were movingly free and large. At the same time, now that all the mere accidental accessories had melted away, one saw the striking likeness between the brother and sister--one so great as to be almost distressing to the survivors. It struck Theodore for the first time--he saw Mary before him in her hour of sorrow or of lofty excitement, when her eyes shone more darkly from out the gentle face, and the serious lips were half-opened, as were the sighing ones of her brother. He could no longer remain seated--he stepped close up to the model, the strife ceased within him. So he remained till the evening glow departed, and the face withdrew itself from him into the quick coming darkness; then he went, without a word, towards the door, by which Bianchi had remained standing, grasped the hand of his friend, pressed it without feeling how clammy and cold it was, and departed. Bianchi shrank as the door closed. He looked with a troubled gaze and absent thoughts around him. So he remained leaning against the wall, incapable of moving. His determination had long been formed, but his limbs would not obey his will. The night arrived. At last he was able to raise himself, and stood battling with the tremor that fell upon him, his clenched hand pressed against his eyes. Then he uttered one single hollow cry, and felt that he had again attained the mastery over himself. He left the house with a steady step. None of all the numerous promenaders who were enjoying the coolness of the night remarked him, so calmly he looked around. He reached at last the part where Caterina lived, and knocked, without hesitation, at the door of a small house. It opened, and he entered the passage. He glanced up the stone staircase, down which a ray of light streamed. Above, with a lamp, stood Caterina. The man revelled for a moment in the perfect beauty of the young girl, who, leaning over the balustrade, holding the lamp out before her, was agitated with the most charming expression of love at recognizing the well-known face below in the shade. She nodded, and smiled, and waved a greeting to him. "Come, come!" she cried, as he loitered below. He strode slowly up the steps; but when the light of the lamp fell upon his face, all her smiles and joy died away from her lips. "Carlo! you are ill," she said to him. He pressed her gently back, and shook his forefinger warningly. "Be still," he said; "come within, Caterina--come!"