Four Psalms XXIII. XXXVI. LII. CXXI.: Interpreted for practical useSmith, George Adam
Religion
Four Psalms XXIII. XXXVI. LII. CXXI.: Interpreted for practical use
Smith, George Adam
Bible. Psalms -- Criticism, interpretation, etc.
LITTLE BOOKS ON RELIGION
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Christ and the Future Life.
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The Seven Words from the Cross.
By the Rev. W. Robertson Nicoll, LL.D.
The Visions of a Prophet.
By the Rev. Professor Marcus Dods, D.D.
Why be a Christian?
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By the Rev. Alexander Whyte, D.D.
The Upper Room.
By the Rev. John Watson, M.A., D.D.
Four Psalms.
By the Rev. Professor George Adam Smith, D.D., LL.D.
Gospel Questions and Answers.
By the Rev. James Denney, D.D.
The Unity and Symmetry of the Bible.
By the Rev. John Monro Gibson, D.D.
_HODDER & STOUGHTON_
FOUR PSALMS
XXIII. XXXVI. LII. CXXI.
INTERPRETED FOR PRACTICAL USE
BY
GEORGE ADAM SMITH
HODDER AND STOUGHTON
TO
M.S. AND H.A.S.
CONTENTS
I
PSALM XXIII: GOD OUR SHEPHERD
II
PSALM XXXVI: THE GREATER REALISM
III
PSALM LII: RELIGION THE OPEN AIR OF THE SOUL
IV
PSALM CXXI: THE MINISTRY OF THE HILLS AND ALL GREAT THINGS
PSALM XXIII
GOD OUR SHEPHERD
The twenty-third Psalm seems to break in two at the end of the fourth
verse. The first four verses clearly reflect a pastoral scene; the fifth
appears to carry us off, without warning, to very different associations.
This, however, is only in appearance. The last two verses are as pastoral
as the first four. If these show us the shepherd with his sheep upon the
pasture, those follow him, shepherd still, to where in his tent he
dispenses the desert's hospitality to some poor fugitive from blood. The
Psalm is thus a unity, even of metaphor. We shall see afterwards that it
is also a spiritual unity; but at present let us summon up the landscape
on which both of these features--the shepherd on his pasture and the
shepherd in his tent--lie side by side, equal sacraments of the grace and
shelter of our God.
A Syrian or an Arabian pasture is very different from the narrow meadows
and fenced hill-sides with which we are familiar. It is vast, and often
virtually boundless. By far the greater part of it is desert--that is,
land not absolutely barren, but refreshed by rain for only a few months,
and through the rest of the year abandoned to the pitiless sun that sucks
all life from the soil. The landscape is nearly all glare: monotonous
levels or low ranges of hillocks, with as little character upon them as
the waves of the sea, and shimmering in mirage under a cloudless heaven.
This bewildering monotony is broken by only two exceptions. Here and there
the ground is cleft to a deep ravine, which gapes in black contrast to the
glare, and by its sudden darkness blinds the men and sheep that enter it
to the beasts of prey which have their lairs in the recesses. But there
are also hollows as gentle and lovely as those ravines are terrible, where
water bubbles up and runs quietly between grassy banks through the open
shade of trees.
Public-domain text, read in full here on John Shaqi.
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