WIFE. [Avoiding him--an a stilly voice] Oh! Go on with your
writing!
PROF. I'm--I'm upset. I've never known you so--so----
WIFE. Hysterical? Well! It's over. I'll go and sing.
PROF. [Soothingly] There, there! I'm sorry, darling; I really am.
You're kipped--you're kipped. [He gives and she accepts a kiss]
Better?
[He gravitates towards his papers.]
All right, now?
WIFE. [Standing still and looking at him] Quite!
PROF. Well, I'll try and finish this to-night; then, to-morrow we
might have a jaunt. How about a theatre? There's a thing--they say
--called "Chinese Chops," that's been running years.
WIFE. [Softly to herself as he settles down into his chair] Oh!
God!
[While he takes up a sheet of paper and adjusts himself, she
stands at the window staring with all her might at the boulder,
till from behind it the faun's head and shoulders emerge once
more.]
PROF. Very queer the power suggestion has over the mind. Very
queer! There's nothing really in animism, you know, except the
curious shapes rocks, trees and things take in certain lights--effect
they have on our imagination. [He looks up] What's the matter now?
WIFE. [Startled] Nothing! Nothing!
[Her eyes waver to him again, and the FAUN vanishes. She turns
again to look at the boulder; there is nothing there; a little
shiver of wind blows some petals off the trees. She catches one
of them, and turning quickly, goes out through the curtain.]
PROF. [Coming to himself and writing] "The Orpheus legend is the--
er--apotheosis of animism. Can we accept----" [His voice is lost in
the sound of his WIFE'S voice beginning again: "Orpheus with his
lute--with his lute made trees----" It dies in a sob. The PROFESSOR
looks up startled, as the curtain falls].
FRUST. Fine! Fine!
VANE. Take up the curtain. Mr Foreson?
[The curtain goes up.]
FORESON. Sir?
VANE. Everybody on.
[He and FRUST leave their seats and ascend on to the Stage, on
which are collecting the four Players.]
VANE. Give us some light.
FORESON. Electrics! Turn up your floats!
[The footlights go up, and the blue goes out; the light is crude
as at the beginning.]
FRUST. I'd like to meet Miss Hellgrove. [She comes forward eagerly
and timidly. He grasps her hand] Miss Hellgrove, I want to say I
thought that fine--fine. [Her evident emotion and pleasure warm him
so that he increases his grasp and commendation] Fine. It quite got
my soft spots. Emotional. Fine!
MISS H. Oh! Mr Frust; it means so much to me. Thank you!
FRUST. [A little balder in the eye, and losing warmth] Er--fine!
[His eye wanders] Where's Mr Flatway?
VANE. Fleetway.
[FLEETWAY comes up.]
FRUST. Mr Fleetway, I want to say I thought your Orphoos very
remarkable. Fine.
FLEETWAY. Thank you, sir, indeed--so glad you liked it.
FRUST. [A little balder in the eye] There wasn't much to it, but
what there was was fine. Mr Toone.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account