France -- Social life and customs -- Fiction; Short stories
“You shall see me back to my door,” she said as they went down the
kitchen stairs. “I shall feel safe, in that case. Just fancy, I want to
sleep a whole night quite by myself—yes, a whole night! It’s sort of
infatuation, dear boy!”
CHAPTER III
The Countess Sabine, as it had become customary to call Mme Muffat de
Beuville in order to distinguish her from the count’s mother, who had
died the year before, was wont to receive every Tuesday in her house in
the Rue Miromesnil at the corner of the Rue de Pentièvre. It was a
great square building, and the Muffats had lived in it for a hundred
years or more. On the side of the street its frontage seemed to
slumber, so lofty was it and dark, so sad and convent-like, with its
great outer shutters, which were nearly always closed. And at the back
in a little dark garden some trees had grown up and were straining
toward the sunlight with such long slender branches that their tips
were visible above the roof.
This particular Tuesday, toward ten o’clock in the evening, there were
scarcely a dozen people in the drawing room. When she was only
expecting intimate friends the countess opened neither the little
drawing room nor the dining room. One felt more at home on such
occasions and chatted round the fire. The drawing room was very large
and very lofty; its four windows looked out upon the garden, from
which, on this rainy evening of the close of April, issued a sensation
of damp despite the great logs burning on the hearth. The sun never
shone down into the room; in the daytime it was dimly lit up by a faint
greenish light, but at night, when the lamps and the chandelier were
burning, it looked merely a serious old chamber with its massive
mahogany First Empire furniture, its hangings and chair coverings of
yellow velvet, stamped with a large design. Entering it, one was in an
atmosphere of cold dignity, of ancient manners, of a vanished age, the
air of which seemed devotional.
Opposite the armchair, however, in which the count’s mother had died—a
square armchair of formal design and inhospitable padding, which stood
by the hearthside—the Countess Sabine was seated in a deep and cozy
lounge, the red silk upholsteries of which were soft as eider down. It
was the only piece of modern furniture there, a fanciful item
introduced amid the prevailing severity and clashing with it.
“So we shall have the shah of Persia,” the young woman was saying.
They were talking of the crowned heads who were coming to Paris for the
exhibition. Several ladies had formed a circle round the hearth, and
Mme du Joncquoy, whose brother, a diplomat, had just fulfilled a
mission in the East, was giving some details about the court of
Nazr-ed-Din.
“Are you out of sorts, my dear?” asked Mme Chantereau, the wife of an
ironmaster, seeing the countess shivering slightly and growing pale as
she did so.
“Oh no, not at all,” replied the latter, smiling. “I felt a little
cold. This drawing room takes so long to warm.”
Public-domain text, read in full here on John Shaqi.
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