Four Weeks in the Trenches: The War Story of a ViolinistKreisler, Fritz
History
Four Weeks in the Trenches: The War Story of a Violinist
Kreisler, Fritz
World War, 1914-1918 -- Personal narratives, Austrian
In the western area of the theater of war, in France and Flanders,
where whole armies were deadlocked, facing each other for weeks
without shifting their position an inch, such trenches become an
elaborate affair, with extensive underground working and wing
connections of lines which almost constitute little fortresses and
afford a certain measure of comfort. But where we were in Galicia
at the beginning of the war, with conditions utterly unsteady and
positions shifting daily and hourly, only the most superficial trenches
were used. In fact, we thought ourselves fortunate if we could
requisition enough straw to cover the bottom. That afternoon we
had about half finished our work when our friend the aeroplane
appeared on the horizon again. This time we immediately opened
fire. It disappeared, but apparently had seen enough, for very soon
our position was shelled. By this time, however, shrapnel had
almost ceased to be a source of concern to us and we scarcely paid
any attention to it. Human nerves quickly get accustomed to the
most unusual conditions and circumstances and I noticed that quite
a number of men actually fell asleep from sheer exhaustion in the
trenches, in spite of the roaring of the cannon about us and the
whizzing of shrapnel over our heads.
I, too, soon got accustomed to the deadly missiles,--in fact, I had
already started to make observations of their peculiarities. My ear,
accustomed to differentiate sounds of all kinds, had some time ago,
while we still advanced, noted a remarkable discrepancy in the
peculiar whine produced by the different shells in their rapid flight
through the air as they passed over our heads, some sounding
shrill, with a rising tendency, and the others rather dull, with a falling
cadence. A short observation revealed the fact that the passing of
a dull-sounding shell was invariably preceded by a flash from one of
our own cannon in the rear on the hill, which conclusively proved it
to be an Austrian shell. It must be understood that as we were
advancing between the positions of the Austrian and Russian
artillery, both kinds of shells were passing over our heads. As we
advanced the difference between shrill and dull shell grew less and
less perceptible, until I could hardly tell them apart. Upon nearing
the hill the difference increased again more and more until on the hill
itself it was very marked. After our trench was finished I crawled to
the top of the hill until I could make out the flash of the Russian guns
on the opposite heights and by timing flash and actual passing of
the shell, found to my astonishment that now the Russian missiles
had become dull, while on the other hand, the shrill shell was
invariably heralded by a flash from one of our guns, now far in the
rear. What had happened was this: Every shell describes in its
course a parabolic line, with the first half of the curve ascending and
the second one descending. Apparently in the first half of its curve,
Public-domain text, read in full here on John Shaqi.
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