Poets, Irish -- 20th century -- Biography; Yeats, W. B. (William Butler), 1865-1939
was accurst, and to my mind, that had to pick its symbols where
its ignorance permitted, Velasquez seemed the first bored
celebrant of boredom. I was convinced, from some obscure
meditation, that Stevenson's conversational method had joined him
to my elders and to the indifferent world, as though it were right
for old men, and unambitious men and all women, to be content with
charm and humour. It was the prerogative of youth to take sides
and when Wilde said: 'Mr. Bernard Shaw has no enemies but is
intensely disliked by all his friends,' I knew it to be a phrase I
should never forget, and felt revenged upon a notorious hater of
romance, whose generosity and courage I could not fathom.
VIII
I saw a good deal of Wilde at that time--was it 1887 or 1888?--I
have no way of fixing the date except that I had published my
first book 'The Wanderings of Usheen' and that Wilde had not yet
published his 'Decay of Lying.' He had, before our first meeting,
reviewed my book and despite its vagueness of intention, and the
inexactness of its speech, praised without qualification; and what
was worth more than any review had talked about it, and now he
asked me to eat my Xmas dinner with him, believing, I imagine,
that I was alone in London.
He had just renounced his velveteen, and even those cuffs turned
backward over the sleeves, and had begun to dress very carefully
in the fashion of the moment. He lived in a little house at
Chelsea that the architect Godwin had decorated with an elegance
that owed something to Whistler. There was nothing mediaeval, nor
Pre-Raphaelite, no cupboard door with figures upon flat gold, no
peacock blue, no dark background. I remember vaguely a white
drawing room with Whistler etchings, 'let in' to white panels, and
a dining room all white: chairs, walls, mantlepiece, carpet,
except for a diamond-shaped piece of red cloth in the middle of
the table under a terra cotta statuette, and I think a red shaded
lamp hanging from the ceiling to a little above the statuette. It
was perhaps too perfect in its unity, his past of a few years
before had gone too completely, and I remember thinking that the
perfect harmony of his life there, with his beautiful wife and his
two young children, suggested some deliberate artistic composition.
Public-domain text, read in full here on John Shaqi.
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