Poets, Irish -- 20th century -- Biography; Yeats, W. B. (William Butler), 1865-1939
We read our poems to one another and talked criticism and drank a
little wine. I sometimes say when I speak of the club, 'We had
such and such ideas, such and such a quarrel with the great
Victorians, we set before us such and such aims,' as though we had
many philosophical ideas. I say this because I am ashamed to admit
that I had these ideas and that whenever I began to talk of them a
gloomy silence fell upon the room. A young Irish poet, who wrote
excellently but had the worst manners, was to say a few years
later, 'You do not talk like a poet, you talk like a man of
letters;' and if all the rhymers had not been polite, if most of
them had not been to Oxford or Cambridge, they would have said the
same thing. I was full of thought, often very abstract thought,
longing all the while to be full of images, because I had gone to
the art school instead of a university. Yet even if I had gone to
a university, and learned all the classical foundations of English
literature and English culture, all that great erudition which,
once accepted, frees the mind from restlessness, I should have had
to give up my Irish subject matter, or attempt to found a new
tradition. Lacking sufficient recognised precedent I must needs
find out some reason for all I did. I knew almost from the start
that to overflow with reasons was to be not quite well-born, and
when I could I hid them, as men hide a disagreeable ancestry; and
that there was no help for it, seeing that my country was not born
at all. I was of those doomed to imperfect achievement, and under
a curse, as it were, like some race of birds compelled to spend
the time, needed for the making of the nest, in argument as to the
convenience of moss and twig and lichen. Le Gallienne and
Davidson, and even Symons, were provincial at their setting out,
but their provincialism was curable, mine incurable; while the one
conviction shared by all the younger men, but principally by
Johnson and Horne, who imposed their personalities upon us, was an
opposition to all ideas, all generalisations that can be explained
and debated. E... fresh from Paris would sometimes say--'We are
concerned with nothing but impressions,' but that itself was a
generalisation and met but stony silence. Conversation constantly
dwindled into 'Do you like so and so's last book?' 'No, I prefer
the book before it,' and I think that but for its Irish members,
who said whatever came into their heads, the club would not have
survived its first difficult months. I knew--now ashamed that I
thought 'like a man of letters,' now exasperated at their
indifference to the fashion of their own river bed--that Swinburne
in one way, Browning in another, and Tennyson in a third, had
filled their work with what I called 'impurities,' curiosities
about politics, about science, about history, about religion; and
that we must create once more the pure work.
Public-domain text, read in full here on John Shaqi.
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