Four Years in France: or, Narrative of an English Family's Residence there during that Period; Preceded by some Account of the Conversion of the Author to the Catholic FaithBeste, Henry Digby
Religion
Four Years in France: or, Narrative of an English Family's Residence there during that Period; Preceded by some Account of the Conversion of the Author to the Catholic Faith
Beste, Henry Digby
France -- Description and travel
His understanding was quick and lively, and he learned readily and with
pleasure. A cause of hindrance and delay that occurred to him in
learning to read shall here be mentioned as a caution to parents,
institutors, and governesses. To play at learning to read is regarded as
a great improvement on the "Reading-made-easy," of less enlightened
times. A lady made him a present of a cylindrical ivory box containing
counters, on which were inscribed the letters of the alphabet. He
trundled the box on the carpet, he threw the letters on the carpet, and
viewed them in all directions, sometimes sideways, sometimes
topsy-turvy; so that he no longer knew them again when he saw them
upright in a book: b and q and d and p more especially puzzled him:
besides, the place of letters in words is of great use towards learning
their power, and this help his counters did not afford him. To impose on
him the task of arranging the letters in _verbal_ order, would have
included all the restraint of a formal lesson. The conclusion is, that
if children play, they do not learn; and while they learn, they must not
play: there is a time for all things: their lessons must be short on
account of the softness of the brain, but attention must be insisted on;
they cannot be cheated as to the nature of the occupation, but they
have sense enough to find pleasure in the consciousness of improvement.
When Kenelm was little more than five years and a half old, his elder
sister died: she was thirteen months younger than himself. Never was
child more lovely in death than this little girl. I gazed on her with
the feeling, since portrayed in the inimitable lines of the Giaour,
beginning
He who hath bent him o'er the dead.
These lines I read fourteen years afterwards at Avignon; they thrilled
and electrified me: the touch of genius recalled the scene I had
witnessed. Yet it should seem that associations supplied by reason and
experience are requisite to the contemplation of such an object with the
sentiments described by Lord Byron. I led Kenelm to see his sister two
hours after her death: terror was his predominant emotion; the
immobility of what still so much resembled life appalled him. He burst
into tears. "If I had thought she would have looked _so_, I would not
have come to see her;" nor could he for some time pass the door of that
chamber without shuddering.
Public-domain text, read in full here on John Shaqi.
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