Four Years in France: or, Narrative of an English Family's Residence there during that Period; Preceded by some Account of the Conversion of the Author to the Catholic FaithBeste, Henry Digby
Religion
Four Years in France: or, Narrative of an English Family's Residence there during that Period; Preceded by some Account of the Conversion of the Author to the Catholic Faith
Beste, Henry Digby
France -- Description and travel
I endeavour to make my accounts of towns and objects of curiosity ample
enough for those who are not acquainted with them, and not too long for
those who are: I may fail of both the ends proposed; a common result of
_mean_ measures: but I proceed, though I well know that a writer more
frequently meets with censure than indulgence: if self-love prompts him
to write, woe be to the poor author. My motive for writing may perhaps
by this time be guessed at, and will form an item of additional
reproach.
Marseilles, except that it is built of stone, (a circumstance hardly
necessary to be particularized in a country where bricks are almost
unknown,) is very like Liverpool, a _nucleus_ of trade and dirt,
surrounded by handsome, airy, well-built streets: it is more populous
than Liverpool, but does not cover so much ground. The port is admirably
secure: a few days before our arrival, a tremendous storm had committed
very great ravages along the whole coast from Spain to the gulf of
Spezia. The shipping in the harbour of Marseilles had continued
perfectly sheltered and unhurt, while, on the Genoese coast, vessels had
been driven from their anchors, and stranded. On one side of the port
are lofty warehouses; on the other, rich and splendid shops. The Hôtel
de Ville is a very handsome building, with a magnificent marble
staircase, too grand indeed for the rooms to which it leads. The
celebrated picture of the plague seems to have derived its fame from the
interest excited by its subject: it is well executed, but without
perspective; the people are dying all up the wall of canvass; the
archbishop, M. de Belzunce, is, of course, a prominent object. His
nephew, chief of the department for provisioning Paris, was, at the
beginning of the revolution, the first victim of the fury of the
Parisian mob, and "Belzuncer quelqu'un," was for some little time a
favourite form of menace, or of boast; but the name was soon lost in a
crowd of followers. They showed us, what they thought it would give us
great amusement to see, the room in which is performed the civil
contract of marriage before the municipality: what pleasure they
expected us to derive from the sight I cannot tell. In another room is a
portrait of Louis XIV at full length, in armour, with a fine flowing
wig: this costume did not then appear so absurd as now it does; besides
his wig was, to Louis XIV, essential and individual; he never was seen
without it; at night he gave it to his page, in the morning he received
it from his page, through the curtains of his bed. An academy of
painting and sculpture had lately been instituted, which seemed
prosperous; as much so as such an institution is likely to be in any
other town than the capital. More attention seems to be paid in France
to the fine arts than to literature. The members of the five hundred
book-clubs of England will be surprised to learn that, as far as my
information reaches, no similar establishment exists in France.
Public-domain text, read in full here on John Shaqi.
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