Four Years in France: or, Narrative of an English Family's Residence there during that Period; Preceded by some Account of the Conversion of the Author to the Catholic FaithBeste, Henry Digby
Religion
Four Years in France: or, Narrative of an English Family's Residence there during that Period; Preceded by some Account of the Conversion of the Author to the Catholic Faith
Beste, Henry Digby
France -- Description and travel
It is easy to say, and it has often been said, that the gallery is too
long,--too long, that is, for its breadth: but who would wish it to be
shorter? and as, on each side, there is sufficient distance to allow a
good view of the pictures opposite, it cannot be said to be too narrow
for its use. By two arches, thrown across the ceiling, it seems to be
divided into three compartments; and thus the length is, in some sort,
broken. The paintings of the Italian school have the place of honour, in
the compartment at the end furthest from the door; the French school is,
however, in a most flourishing state, and boasts great names: it will
soon rival, if it does not already rival, the old Italian school; to
surpass it, is, I suppose, impossible.
This gallery, originally intended as a passage from the Louvre to the
Tuilleries, from the town-house to the country-house of the kings of
France,--is now, with the rooms on the ground-floor, and some large
chambers that have been added, the repository of the finest collection
of monuments of the arts, that is to be found out of Italy. Indeed no
single Italian collection equals it, saving always the reverence due to
certain renowned and incomparable chefs-d'oeuvre.
The Museum of Natural History, in the Jardin des Plantes, is said to be
the first in the world. That class of society which has but one day in
the week of relief from labour is admitted here as well as at the
Louvre. Sunday is not the day on which the museums are closed; as the
French government has not discovered the wisdom of driving the people
into the cabaret by depriving them of all other amusement on that day. I
have attended on that day at both museums, and have been equally
surprised and pleased in witnessing the behaviour of those who on that
day only have leisure to attend in great numbers. They had not the
pretensions of savans and connoisseurs; though probably there might be
found amongst them their fair proportion of connoisseurs and savans.
There was no crowding or jostling,--not so much as I have sometimes
observed in assemblies of people more fashionably dressed: there was no
noise or clamour; they conducted themselves with the greatest decorum:
in the botanical garden, they kept themselves on the walks and allées
without ever stepping among the plants; they did not even teaze the poor
animals imprisoned in the ménagerie. No apprehension seemed to be
entertained by any one that they would injure any object of art or
science. This love of mischief is only excited in the people by the
jealousy or disdain of their superiors, refusing to share with them
pleasures that may, at so cheap a rate, be made common to all. Dr.
Willis used to have some of the persons entrusted to his charge as his
daily guests at dinner: he was asked how he succeeded in making his
patients behave so well at table,--"By treating them as if they were in
their senses."
Public-domain text, read in full here on John Shaqi.
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