English literature -- Middle English, 1100-1500; Great Britain -- History -- 14th century -- Sources
On a festival day in August, the poet, while mourning his loss, falls
asleep on his child's grave. His spirit passes to a land of flowers and
rich fruits, where birds of flaming hues sing incomparably, where the
cliffs are of crystal and beryl, and a river runs in a bed of gleaming
jewels. On the other side of the river, which is lovelier still, sits a
maiden dressed all in white, with coronet and ornaments of pearl. The
poet recognizes his lost child, but cannot call to her for wonder and
dread, until she rises and salutes him. He complains that since her loss
he has been a joyless jeweller. She rebukes him gently; she is not lost,
but made safe and beautiful for ever. Overjoyed, he says he will cross
the river and live with her in this paradise; but she warns him against
such presumption, for since Adam's fall the river may be crossed only by
the way of death. He is in despair to think that now that his Pearl is
found, he must still live joyless, apart from her; but he is bidden to
resign himself to God's will and mercy, because rebellion will avail him
nothing.
At this point begins the argument on salvation by grace or salvation by
works which is here reprinted.
The maiden then continues the discussion, explaining that 'the innocent
are ay safe by right', and that only those who come as little children
can win the bliss sought by the man who sold his all for a matchless
pearl.
Next the poet asks whence her beauty comes, and what her office is. She
replies that she is one of the brides of Christ, whom St. John in the
Apocalypse saw arrayed for the bridal in the New Jerusalem. He asks to
see their mansions, and by special grace is allowed to view the holy
city from without. He sees it as St. John saw it, gleaming with gold,
with its pillars of precious stone, its gates of pearl; its streets
lighted by a divine radiance, so that there is no need of moon or sun.
There is no church or chapel or temple there: God himself is the
minister, and Christ is the sacrifice. Mortal eye could not bear the
splendour, and he stood 'as stylle as dased quayle'. At evening came the
procession of the virgin brides of Christ, each bearing on her breast
the pearl of perfect happiness. The Lamb leads them, in pearl-white
robes, his side bleeding, his face rapt; while elders make obeisance,
and angels sing songs of joy as He nears the throne of God.
Suddenly the poet sees his Pearl among her companions. Overcome with
longing and delight, he tries to cross the river, only to wake in the
garden where he fell asleep. Henceforth he is resigned to the pleasure
of the Prince of Heaven.
Public-domain text, read in full here on John Shaqi.
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