"Just another minute. Tell me; if you hadn't seen that name on the theatre ticket, wouldn't you have come to see me?" "Oh, no!" "Then it was on account of the name alone that you came, not on my account?" "But it was on your account, as the name's yours." "But suppose it were not mine? suppose it were a mere accident that that name was on the ticket?" The girl gazed earnestly at me, then exclaimed impatiently: "Come, go on! what do you mean? I don't like to have anyone hold my nose under water." "I mean, mademoiselle, that, like yourself, I do not choose to deceive anyone, or to hold myself out for what I am not. The author of whose works you are so fond--I am not he. My name is Charles Rochebrune; and I haven't the least little bit of renown to serve as a halo to my name. If my concierge lied to you yesterday, it was because I thought that you would not come here for poor me; and, as I ardently desired to see you again, I ventured upon that little fraud, to obtain the pleasure of receiving you here. But I never intended to carry it any further.--That is what I wanted to tell you." Mademoiselle Rosette was silent for a few moments; I heard her mutter in a disappointed tone: "It's a pity!" But the next minute she smiled and held out her hand, saying: "I don't care--it was good of you to tell me the truth!" "Then you are no longer angry with me?" "What good would that do?" "And you will love me a little?" "We shall see. Ah! a piano! Who plays the piano? I love music!" I sat down at the piano, and played quadrilles, waltzes, and polkas. When I reached the last-named dance, she began to polk about the salon with fascinating grace. "Do you like the polka?" "I adore it! Do you polk?" "A little." "Let's try it." She took my arm, and in a moment we were polking all over the salon to a tune which I was obliged to sing while we danced. It was very fatiguing; but Mademoiselle Rosette did not weary; she was an intrepid dancer. We were making our fifteenth circuit, at least, when the door was suddenly thrown open and Frédérique appeared. She stood, speechless with amazement, in the doorway; she had not eyes enough to look at us. I attempted to stop and go to her; but Mademoiselle Rosette dragged me on and compelled me to continue: "Come on, come on!" she cried. "Do you think of stopping now? My word! Why, I can polk two hours without stopping!" XXXV A HIGH LIVER Mademoiselle Rosette danced on with undiminished ardor, but I felt that mine was rapidly giving out; my voice was dying away, and there were moments when I did not make a sound. After watching us for some time, Frédérique took her place at the piano and began to play a polka for us. Then there was no longer any reason why we should stop; I did not need to sing, it is true, but I did need the leg of a Hercules to keep pace with my partner, who exclaimed when she heard the music: