Albertinelli, Mariotto, 1474-1515; Bartolomeo, fra, 1472-1517; Sarto, Andrea del, 1486-1530
In 1498 Savonarola again lifted up his voice; the church was not large
enough, so he preached beneath the blue sky on the Piazza San Marco;
and Fra Domenico Buonvicini da Pescia, in the eagerness of partisanship,
said that his master's words would stand the ordeal of fire. Then came
that tumultuous day of April 7th, the "Sunday of the Olives," when the
Franciscans and Dominicans argued while the fire burnt out before
them, when Savonarola's great spirit quailed within him, and the ordeal
failed; a merciful rain quenching the flames which none dared to brave
save the undaunted Fra Domenico himself.
There was no painting done in the studio on that day we may be sure.
Baccio was one of the surging, conflicting crowd gathered beneath the
mingling shadows of Orcagna's arches and Arnolfo's great palace, and at
eventide he was one of the armed partisans who protected the friar back
to his convent, menaced not only by rains from heaven, but by the stormy
wrath of an angry populace, defrauded of the sight they came to see.
The next day was the one which determined the painter's future life.
There was in the city a curious process of crystallisation of all the
particles held in solution round the fire the previous day. The Palazzo
Vecchio attracted about its doors the "Arrabiati." The "Compagnacci"
assembled, armed, by the Duomo. The streets were full of detached
parties of Piagnoni, treading ways of peril to their centre, San Marco.
Passions raged and seethed all day, till at the hour of vespers a cry
arose, "_à San Marco_," and thither the multitude--500 Compagnacci, and
300 Palleschi--rushed, armed with picks and arquebusses, &c. They killed
some stray Piagnoni whom they found praying by a shrine, and placed
guards at the streets which led to the convent; then the assault began.
The church was dimly lighted. Savonarola and Fra Domenico kneeled on the
steps of the altar, with many worshippers around them, singing tremulous
hymns; amongst these were Francesco Valori, Ridolfi, and Baccio della
Porta, but all armed, as Cronaca tells us. They still sang hymns when
the doors were attacked with stones; then leaving the priests and women
to pray for them the men rushed to the defence.
Public-domain text, read in full here on John Shaqi.
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