His parents were young, his father being only twenty-seven years of age at Andrea's birth. They lived at that time in Val Fonda, where Albertinelli had his shop, but in 1504 they removed to the popolo, or parish, of S. Paolo. Boys were not allowed to be idle in those days, but were apprenticed at an early age; thus Andrea, like most artists of his time, was bound to a goldsmith. It would be interesting to investigate the great influence of the guild of goldsmiths on the art of the Renaissance. The reason why youths who showed a talent for design were entered in that guild is easy to assign--it was one of the "greater" guilds, that of the painters being a lesser one, and merged in the "Arte degli Speziali." At seven years old he left the school where he had learned to read and write, and entered his very youthful apprenticeship; but he showed so much more aptitude for the designing than for the executive part of his profession that _Giovanni Barile_, who frequented the bottega, was induced to counsel his being trained especially as a painter, offering himself as instructor. If Andrea, a contadino by birth, an artisan by education, was not originally of the most refined nature, his artistic training did not go far towards refining him. Giovanni Barile was a coarse painter and a rough man; he had, however, generosity enough to see that the boy was worthy of better teaching, and got him entered in the bottega of Piero di Cosimo, who had attained a good rank as a colourist, his eccentricities possibly adding to his reputation.