But, to return to the physical features of the Long Island, what, we
may ask, is the cause of that general monotony of outline to which
reference has so frequently been made? At first we seem to get an
answer to our question when we are told that the islands of the Outer
Hebrides are composed chiefly of one and the same kind of rock.
Everyone nowadays has some knowledge of the fact that the peculiar
features of any given district are greatly due to the character and
arrangement of the rock-masses. For example, who is not familiar with
the outline of a chalk country, as distinguished from the contour of a
region the rocks of which are composed, let us say, of alternating beds
of limestone and sandstone and masses of old volcanic material? The
chalk country, owing to the homogeneousness of its component strata,
has been moulded by the action of weather and running water into an
undulating region with a softly-flowing outline, while the district
of composite formation has yielded unequally to the action of Time's
workers--rains, and frosts, and rivers--and so is diversified with
ridge, and escarpment, and knolls, and crags. When, therefore, we learn
that the Outer Hebrides are composed for the most part of the rock
called _gneiss_ and its varieties, we seem to have at once found the
meaning of the uniformity and monotony. It is true that although pink
and grey gneiss and schistose rocks prevail from the Butt of Lewis
to Barra Head, yet there are some other varieties occasionally met
with--thus soft red sandstone and conglomerate rest upon the gneissic
rocks near Stornoway, but they occur nowhere else throughout the Long
Island. Now and again, however, the gneiss gives place to granite, as
on the west coast of Lewis near Carloway; and here and there the strata
are pierced by vertical dykes and curious twisted and reticulated veins
of basalt-rock. All these, however, hold but a minor and unimportant
place as constituents of the islands. Gneiss is beyond question the
most prevalent rock, and we seem justified in assigning the peculiar
monotony of the Outer Hebridean scenery to that fact.
Public-domain text, read in full here on John Shaqi.
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