What it was that struck a chill into the frail Du Barry's favour, so
that the masterpieces of Fragonard never entered within her doors, is
not fully known. Whatsoever the cause, these canvases were rejected by
her. It is said that the work was found to be disappointing, being
lacking as to the indecencies by the Du Barry and the king, who
preferred the more suggestive panels of Vien. It is true that
Fragonard's earlier four panels which she possessed were in
questionable taste, and that these five were pure; indeed, their
trivial story matters little amidst the massy foliage and the majestic
trees that spring into the swinging heavens. Fragonard suspected, and
somewhat resented the suspicion, that he was being made to paint in a
sort of artistic duel with Vien. At any rate, Vien was chosen. So it
came that the discarded pictures lay in Fragonard's studio for over
twenty years, when we shall see them, rolled up, making a chief part
of the strange baggage of Fragonard's flight from his beloved Paris.
The fact was that the Du Barry was of the gutter. She had the crude
love of fineries of the girl promoted from the gutter. She loved
display. But into her home she brought the vulgar singers of the
lowest theatres, where the Pompadour had brought the wits and leading
artists of her time. The old culture was gone. Louis laughed now at
ribald songs, and was entertained by clowns.
It is part of the irony of life that Fragonard, who never entered
into the favourite's friendship, should have become the recognised
artist of her day. It was a part of that grim irony that caused the Du
Barry, whose age he honours, to reject the most exquisite work of his
hands--in which his art is seen at its highest achievement, the tender
half-melancholy of the thing stated with a lyric beauty that displays
his genius in its supreme flight.
A search through the Du Barry's bills--and there are four huge bound
volumes of them--reveals the list of pictures painted by Boucher, by
Vien, by Greuze, and by others, for the spendthrift woman; but of
transaction with Fragonard there is no slightest hint.
IV
MARRIAGE
Public-domain text, read in full here on John Shaqi.
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