Formality is generally the prevailing note of the reception-rooms.
Comfortable chairs have only lately begun to make their appearance at
all, and as a rule the middle-class household maintains a traditional
severity in the arrangements of its drawing-room. Straight uninviting
chairs and an absence of any indications of books, magazines or
papers, or anything in the way of a needlework bag or a writing-table
that is in regular use, deprive the room of any home-like
individuality. The extreme economy exercised in the use of fuel makes
the unnecessary lighting of a fire a wanton extravagance. Commodities
in Paris cost double or even more than double what they do in the
British Isles, and in the country generally one-third more; the
salaries of the civil and military officials, who form such a big
section of the middle-class population, are considerably less than
those enjoyed in England, and the incomes of the professional classes
are as a rule smaller than those of the Englishman. Add to this the
abnormally high rents of Paris and it will be understood that in the
capital there is always need for the most rigid economy. _Madame_ must
keep a watchful eye on the household store of coal, not only to see
that it is not wasted in her own fires, but to make sure that
pilfering is not carried on by her servants. Where in England a fire
is kept quietly smouldering, it will be raked out in France and
relighted when required a few hours later. In this way a good deal of
hardihood in the endurance of cold is developed, and contrivances in
the way of stoves that burn fuel with extreme economy are much in use.
This restraint in coal consumption reduces the quantity of carbon
particles discharged into the atmosphere of French cities, and
accounts to a great extent for the clearer air the inhabitants enjoy,
at the same time keeping the annual bill for coal and wood down to
very modest proportions.
Public-domain text, read in full here on John Shaqi.
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