France in eighteen hundred and two : $b Described in a series of contemporary lettersYorke, Henry Redhead
History
France in eighteen hundred and two : $b Described in a series of contemporary letters
Yorke, Henry Redhead
France -- Description and travel
In the morning we went to see the Cathedral--one of the finest
monuments of the piety of ancient days. It has escaped in some measure
the onslaughts of Revolutionaries, though its decorations have been
grievously mutilated. At the principal portal all the heads of the
saints have been struck off, and the sculptured groups representing
Scripture history have been so disfigured as to be rendered ridiculous.
The admirable marble statue of the weeping child has received
considerable injury, but the beautiful chapels on each side of the
choir are in an excellent state of preservation, as well as the marble
statues over the altars.
Nothing is missing from them but the gold and silver candlesticks
and the rich ornaments of the church; even the bones of the tutelary
saint have been unmolested, although the immense box of silver in
which they were deposited has been seized. The grand altar-piece of
the Cathedral, which spreads across the whole breadth of the church
and rises majestically towards the top, has outlived the fury which
threatened its destruction; a circumstance which must be ascribed
solely to the spirit and good sense of the citizens of Amiens. For
when the Revolutionary army from Paris had commenced a general sack of
the Cathedral and were demolishing its ornaments, the National Guard
of Amiens arrived with its drums beating; a pitched battle ensued in
the aisles, which did not finish till the _sans culottes_ were
driven out of the Cathedral; the citizens afterwards mounted guard over
the minster and saved it from the common ruin a ruffianly horde had
involved S. Denys and half of the finest churches in France.
Bishop Evrard began to build this edifice in the year 1220, during
the reign of Philip Augustus. Three architects superintended the
work--Robert de Luzarche, Thomas de Cormont, and Maître Renoult. In
three years the foundations were laid, a marvellously rapid work when
their solidity and extent are considered. The Cathedral is built on
irregular ground, and required very deep foundations.
Upon the death of Evrard, his successor, Godfroi d’Eu, continued the
building, and during the fourteen years he held the episcopal see piles
were raised and the Cathedral completed as far as the arched roof.
Arnold d’Amiens succeeded Godfroi, and he was followed by Gerard of
Couchy and Alexander of Neuilly; and under their successor, Bernard
of Abbeville, the work was completed in 1260, forty years after the
foundation stone was laid. This last ecclesiastic adorned the Cathedral
with an immense pointed window, which now ornaments the central part
of the choir. Beneath it may still be read the following inscription:
“_Bernardus Epis. me dedit anno MCCLIX._”
Public-domain text, read in full here on John Shaqi.
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