France in eighteen hundred and two : $b Described in a series of contemporary lettersYorke, Henry Redhead
History
France in eighteen hundred and two : $b Described in a series of contemporary letters
Yorke, Henry Redhead
France -- Description and travel
When the bowing, kneeling and swearing were ended the First Consul
and his two scarlet supporters departed. Fresh discharges of cannons
accompanied their return journey to the Tuileries.
The opinion entertained by the people of this day of ceremony was that
of indignation, mixed with contemptuous ridicule.
In the evening Madame Bonaparte gave a grand rout to the ladies
of the constituted authorities, and the city was illuminated. The
illuminations were poor indeed, a few farthing rushlights stuck in
paper lanterns hung out from every third or fourth house in the
streets, and were called general illuminations, and even of those the
greater part was put out by the wind. The Palace of the Tuileries was
handsomely illuminated _à la chinoise_ with variegated lamps.
Cambacères, the Second Consul, also illuminated his house with great
taste and splendour.
[Sidenote: THEATRE OF OPERA BUFFA]
Vast numbers of people filled the streets and walks--great decorum
and sobriety were everywhere observed, a circumstance which practically
always distinguishes Frenchmen on such occasions.
In the midst of all these pompous festivities the minds of the people
are still greatly divided respecting the future. They are gratified
by the return of peace--but they are suspicious of its continuation.
To this may be added the general apprehension of some fresh changes
in France, from the restless character of its present ruler, and his
disposition to interfere in the internal economy of other States.
XIX
THEATRES. OPERA BUFFA. CORONATION OF PAESIELLO
The theatres of Paris at the present time display such gross acts of
licentiousness among the spectators and such obscene dialogue on the
stage, that it is impossible to accompany a modest woman to most of
them. To those where the rules of decency were observed, our ladies
went, and the Opera Buffa was one of the few where we could resort with
comfort and convenience.
This theatre is in the Rue de la Victoire, and here one could listen to
the charming music of Cimarosa, Martinelli and Paesiello.[1] This last
composer has attained an immense success by a piece, called _Zingari
in Flora_, which attracts crowded houses. On the third night of
its representation Paesiello himself, just arrived from Naples, made
his appearance in the box next the stage, opposite the one in which
the First Consul, his wife, Louis Bonaparte and _his_ wife,
_ci-devant_ Mdlle. Beauharnais, and the lady of Joseph Bonaparte
were sitting.
Public-domain text, read in full here on John Shaqi.
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