France in the Nineteenth CenturyLatimer, Elizabeth Wormeley
History
France in the Nineteenth Century
Latimer, Elizabeth Wormeley
France -- History -- 1789-1900
The catafalque was hung all over with wreaths, emblems, and banners.
It had solid gilded wheels, and was drawn by eight horses covered
with green velvet, embroidered with gold bees; each horse was led
by a groom in the Bonaparte livery. At the four corners of the car,
holding the tassels of the pall, rode two marshals, an admiral,
and General Bertrand, who had shared the captivity of the Emperor.
Count Montholon was not suffered to leave his imprisonment for the
occasion, though he also had been a companion of the Emperor at
St. Helena. Around the catafalque marched the five hundred sailors
of the "Belle Poule," headed by their captain, the Prince de
Joinville,--slender, tall, and dark, a very naval-looking man.
He was supposed to be intensely hostile to England, and only to
be kept in check by a strong hand. Then came all the Emperor's
aides-de-camp who were still living, and all the aged veterans in
Paris who had served under him. This was the most touching feature
of the procession. Many tears were shed by the spectators, and a
thrill ran through the hearts of eight hundred thousand people as
the catafalque creaked onward, passing under the arch which celebrated
Napoleon's triumphs, and beneath which at other times no carriage
was allowed to pass. But enthusiasm rose to the highest point at the
sight of the veterans in every kind of faded uniform,--Grenadiers
of the Guard, Chasseurs, Dragoons of the Empress, Red Lancers,
Mamelukes, Poles, and, above all, the Old Guard. "Vive la Vieille
Garde!" shouted the multitude; "Vive les Polonais! Vive l'empereur!"
The funeral was a political blunder. It stirred up the embers of
Napoleonism. Ten years later they blazed into a consuming fire.
The procession passed through the Place de la Concorde, beneath
the shadow of the obelisk of Luxor, which of old had looked on
triumphs and funeral processions in Egypt; then it crossed the
Seine. On the bridge were eight colossal statues, representing
prudence, strength, justice, war, agriculture, art commerce, and
eloquence.
The statues along the Champs Elysées were Victories, each inscribed
with the name of some Napoleonic battle. Great haste had been required
to get them ready. At the last moment Government had had to order
from certain manufactories pairs of wings by the dozen, and bucklers
and spears in the same way. All night the artists had been fixing
these emblems on their statues. A statue of Marshal Ney, which
had been ordered among those of the other marshals, was found to
be, not of colossal, but of life size. It had to be hurriedly cut
into three parts. The deficiency in the torso was concealed by
flags, and the "bravest of the brave" took his place on a par with
his comrades.
On the steps of the Chamber of Deputies was a colossal statue of
Immortality, designed for the top of the Pantheon, but pressed
into service on this occasion, holding forth a gilded crown as if
about to place it on the coffin of the Emperor.
Public-domain text, read in full here on John Shaqi.
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