Frances Mary Buss and her work for educationRidley, Annie E.
History
Frances Mary Buss and her work for education
Ridley, Annie E.
Buss, Frances Mary, 1827-1894
“Thus it was the more natural to her to realize instinctively, as she
did consciously, the doctrine of the harmonious development of all the
powers as the aim of the school education.
“Even the casual observer could not fail to have been struck by the
ever-growing, ever-assimilating nature of her mind. In this respect she
never grew older; never grew as middle-aged as many people are mentally
at twenty-five. Like the Athenians, she was always ready to hear some
new thing. She was ready to give any reasonable theorist a hearing,
though not necessarily to erect new altars to his ideals. Whenever she
heard of any idea that promised, she would, in later years, speak of it,
and have it discussed at our teachers’ meeting. Then, if it seemed well,
we would hear the propagandist in a lecture, and afterwards discuss the
subject again. The sequel depended on the opinion formed, but most new
ideas, special and general, came our way. The Harrow Music School, the
Royal Drawing Society, and Miss Chreimann’s Calisthenics may be
mentioned in particular as having received her recognition very early.
“Mr. Farmer writes as follows—
“Oxford.
“DEAR MRS. BRYANT,
“It is very difficult for me to write that which I feel
about the loss of Miss Buss.
“Miss Mary Gurney first introduced me to her.
“Soon after that she asked me to examine the music in the North
London Collegiate School. I was afraid at first that she would
not understand my point of view with respect to the study of
music in high schools, But, instead of being misunderstood, she
gave me her sympathy and help from the first in my endeavour to
make music an earnest and educational part of school-work.
“Miss Buss was not a young head-mistress when I first knew her;
but she was, like my greatest school-friend, Dr. Buller, Miss
Mary Gurney, and the dear old Master of Balliol, fearless in her
belief in all that was for the good of schools, and especially
in the redemption of music from being a time-wasting, emotional
accomplishment.
“Miss Buss allowed me to introduce the Harrow Music School
standard text, the purpose of which was to do away with the mere
swagger of certificate-giving, and to make it more a test of the
general work of the school in music. She was always so glad to
find that the majority of girls who did well in music were just
those who were doing well in other school-work.
“I shall always remember her patience and kindness in her
presence during the long examinations. She was never shocked at
my hopes, mostly very wildly expressed, for the future of music
in the education of girls.
Public-domain text, read in full here on John Shaqi.
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