Francesco tried to reply, but when the words came to his lips,
Polia had disappeared.
The young monk found it almost as difficult to bear his joy as
he did his misfortune. He felt that he no longer had enough
strength to be happy, for the mainspring of his life, worn by
so many conflicting emotions, had almost reached breaking point.
The following morning, at the final mass, when the monks entered
the choir, Polia was sitting in her usual place, in the first
row of benches set aside for the nobility. She got up and went
to kneel in the middle of the pavement of the central nave.
Francesco had noticed her. He renewed his vows with an assured
voice, went back down the altar steps, and prostrated himself
on the floor. At the moment of the elevation of the host, he
stretched out completely, throwing his crossed hands before his
head.
Once mass was over, Polia left the church. The monks passed,
one after the other, before the sanctuary, genuflecting deeply.
But Francesco did not leave his position, and no-one was taken
aback, for he had often been seen to prolong like this, in a
motionless ecstasy, the duration of his prayer.
When the evening service came, Francesco had not changed his
posture. A young friar came out of the choir stalls, approached
him, bent down to him and took one of his hands in his, pulling
his body towards him to recall it to its accustomed duties.
Then he got up again, and, turning towards the assembled monks,
said: "He's dead!"
This event, one of those which are so swiftly effaced in the
collective memory of a new generation, had happened more than
thirty-one years before when, on a winter evening in 1498, a
gondola stopped in front of the shop of Aldo Pio Manucci, whom
we refer to as the Elder. A moment later a visit from the
princess Hippolita Polia of Treviso was announced in the study
of the scholarly printer. Aldo ran to meet her, ushered her in,
made her sit down, and was struck by admiration and respect for
this celebrated beauty, whom half a century of life and sorrows
had rendered more solemn, without taking anything away from her
brilliance.
Public-domain text, read in full here on John Shaqi.
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