College stories; Sports stories; Yale University -- Juvenile fiction
"How was I to remember the blooming sand bar?" complained the Codfish
that night, radiant now in dry raiment. "We were winning. What's a
sand bar in the glory of victory?"
"Are you going down again," inquired Frank, "and take the chances of
a ducking?"
"Not on your tin-type," said the ex-coxswain. "The thing was
beginning to pall on me. No diversity in the job, no spectators to
urge you on as you have out at the field, nothing but work. I've
resigned the job."
"Another way for saying you're fired, eh?" said Turner, smiling at
the imperturbable roommate.
"Have it any way you want to, old sport. One thing," continued the
Codfish, "even if I have lost the chance to shine in aquatics, I
still have the Mandolin Club left. I'll put a dent in that by and
by."
And curling himself up on the couch, with the pillows properly
arranged at his back, he struck into the Spanish Fandango, the newest
addition to his not very extended répertoire.
CHAPTER VIII.
FUN AT THE THEATER.
Up the gallery of the Hyperion Theater, the Freshman class went
bouncing with a great clatter and stamping of feet. It was the night
of the Glee Club concert, toward the end of January, which, in the
days of Frank Armstrong's Freshman year, opened the festivities of
Junior Promenade, the great social function of Yale. The Promenade
has for generations been known as the "Junior Prom," but it is not
strictly a Junior occasion. Seniors, and even Sophomores whose
finances are not too low to permit the purchase of a ticket, may go,
but in spite of the fact that many of these classes do go, the Prom
is still largely a Junior affair. Around the Prom, or ball, which
brings the social gaiety to a close, have grown in the course of
years other entertainments for the fair guests and their chaperons,
who gather in New Haven by the hundred from the length and breadth of
the land. Of these the Glee Club concert was one where the Freshmen
in those days, for it has all been changed since, were tolerated in
the upper gallery of the theater. They could not sit in the pit or
balcony of the house. Custom had allowed them certain rights and
their "stunts" were looked forward to as a part of the entertainment.
The Freshmen were not supposed to interfere with the concert itself
but frequently did interfere in spite of the restraining influence
of Junior guards who were scattered through the gallery. But the
throwing of confetti, streamers and cards to the fair guests was
tolerated and expected. Occasionally the Freshmen overdid the thing
and not infrequently a "rough-house" of considerable proportions held
sway.
Public-domain text, read in full here on John Shaqi.
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