At first Merry felt like following him. His own blood was throbbing
hotly in his veins on account of the injustice with which he had been
treated, but he had held himself in check with a firm hand. Frank had
learned that the man who can master himself can master others, and his
self-control was something remarkable.
He quickly decided that it would be best to give Bart a chance to cool
down somewhat. In the meantime, he would learn exactly what had happened
on the stage. Merry hoped Bart’s sense of justice would reassert itself
and would bring the hot-blooded fellow back with a desire to retract.
As for Bart, he was so blind with passion that he actually stumbled
against Stella Stanley as he hurried across the stage behind the rear
setting.
“Look out!” she exclaimed, with a short laugh. “Do you want to kill me?”
“I feel like killing somebody!” panted Bart, glaring at her; “but not
you—not you, Miss Stanley,” he quickly added.
“Oh, you don’t want to take it that way,” she said. “You’ll get used to
it after you have been in the business longer. We don’t get many call
downs from Havener. I’ve been in companies where the stage manager would
swear and tear around, and no member of the cast escaped being hauled
over the coals.”
“No man can call me down that way!” exclaimed Bart. “I won’t stand for
it!”
“What will you do?”
“Quit.”
“When?”
“Now.”
“You can’t.”
“Why not?”
“Your contract.”
“Haven’t any.”
“How’s that?”
“Never had one.”
“Why, I supposed every member of the company had a contract with Mr.
Merriwell. How is it that you have none?”
“Never made any with him.”
“That’s queer; but you are friends, and I suppose he thought it was not
necessary. You are bound by——”
“Bound by nothing! Do you think I’ll stay to take such bullying? No!
What difference did it make at rehearsal whether I made the exit by the
tormentor or right upper?”
“You know Havener insists on every member going through rehearsal
exactly as he will play so far as entrances, exits and business are
concerned. He is a stickler for that. He may allow some of us to chew
our lines at rehearsal, but the business must be correct. Merriwell has
given him entire charge of the stage, and——”
“And he has chosen me to bully. That’s the size of it, Miss Stanley.”
“Nonsense!”
“There is no nonsense about it.”
“Now, look here, Mr. Hodge, I like you——”
“Do you?” exclaimed Bart, in mingled eagerness and doubt.
“Of course I do, and I don’t want to see you make a bad break. What are
you going to do if you quit the company?”
“I don’t know. I don’t care.”
“Oh, yes, you do care. Don’t make a mistake. We need you.”
“No; I am not an actor—never was meant for one.”
“You play the part you have been given.”
“Because it does not require acting. It is a part that comes natural to
me.”
“Well, there’s nobody to fill your place now.”
“It won’t be hard work to get somebody.”
“I’m afraid it will.”
Public-domain text, read in full here on John Shaqi.
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