Althea had not dared yet to tell her that she might be going back to
America that winter. The thought of Amelie's gloom cast a shadow over
the project, and she could not yet quite face it. She wandered back to
the sitting-room, and, thinking of Amelie's last words, she stood for
some time and looked at herself in the large mirror which rose from
mantelpiece to cornice, enclosed in cascades of gilt. One of the things
that Althea, in her mild assurance, was really secure of--for, as we
have intimated, her assurance often covered a certain insecurity--was
her own appearance. She didn't know about 'belle,' that seemed rather a
trivial term, and the English equivalent better to express the
distinctive characteristic of her face. She had so often been told she
was nobly beautiful that she did not see herself critically, and she now
leaned her elbow on the mantelpiece and gazed at herself with sad
approbation. The mirror reflected only her head and shoulders, and Miss
Jakes's figure could not, even by a partisan, have been described as
beautiful; she was short, and though immature in outline, her form was
neither slender nor graceful. Althea did not feel these defects, and was
well satisfied with her figure, especially with her carriage, which was
full of dignity; but it was her head that best pleased her, and her
head, indeed, had aspects of great benignity and sweetness. It was a
large head, crowned with coils of dull gold hair; her clothing followed
the fashions obediently, but her fashion of dressing her hair did not
vary, and the smooth parting, the carved ripples along her brow became
her, though they did not become her stiffly conventional attire. Her
face, though almost classic in its spaces and modelling, lacked in
feature the classic decision and amplitude, so that the effect was
rather that of a dignified room meagrely furnished. For these
deficiencies, however, Miss Jakes's eyes might well be accepted as
atonement. They were large, dark, and innocent; they lay far apart,
heavily lidded and with wistful eyebrows above them; their expression
varied easily from lucid serenity to a stricken, expectant look, like
that of a threatened doe, and slight causes could make Miss Jakes's eyes
look stricken. They did not look stricken now, but they looked
profoundly melancholy.
Here she stood, in the heartless little French sitting-room, meaning so
well, so desirous of the best, yet alone, uncertain of any aim, and very
weary of everything.
CHAPTER II.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account