Though he was notoriously in weak health, the prisoner does not seem to have received any special consideration. On the other hand, it cannot be maintained that, at the outset, his judges treated him with inhumanity. That Luis de Leon was nervous about himself, and that he believed it possible he might die without warning is the impression conveyed by a fervent act of faith which, though undated, was probably written almost as soon as his imprisonment began. On March 31, Luis de Leon asked for various things besides four books: one of them a box of powder with which he was usually provided by a nun named Ana de Espinosa to alleviate his heart-attacks.[58] This petition was granted. Luis de Leon's request for a knife to cut his food with was so clearly against all prison regulations that he can scarcely have expected a favourable reply.[59] The Inquisitors met him half-way by ordering that he should at once be supplied with a rounded spoon, sufficient for his purpose, though useless to a prisoner of suicidal tendencies.[60] At this stage, it cannot be said that Luis de Leon was treated with any want of lenity. There was no reason why he should be. He was arrested mainly on suspicion of being concerned in the (purely imaginary) Jewish propaganda imputed to his colleagues Grajal and Martinez de Cantalapiedra; the evidence against him was second-hand and meagre. Before long matters began to take a graver aspect. A definite charge[61] emerged that some ten or eleven years earlier[62] Luis de Leon had translated from the Hebrew into Spanish the _Song of Solomon_, to which he appended a commentary, also in Spanish. This he did at the request of a nun whose name is incidentally revealed as 'Doña Isabel Osorio, monja de Sancti Espíritu de Salamanca'.[63] That Luis de Leon's proceeding was most imprudent is undeniable. With characteristic courage and candour, in his first _confesion_ of March 6, he volunteered the admission that he had made such a rendering.[64] At this moment he was apparently unaware that the existence of this rendering had been already brought to the notice of the Inquisition by Medina.[65] Nobody questions Luis de Leon's good faith. Nevertheless one gets the impression that he felt this to be a weak point in his case. It was. He had committed a serious indiscretion by infringing the general prohibition of vernacular versions of any part of Scripture. No doubt it might be contended that his rendering of the _Song of Solomon_, and his commentary on it, were originally meant to be used by only one private person; that the prohibition referred to the circulation of vernacular versions; that this particular version, made for the exclusive use of Doña Isabel Osorio, did not amount to circulation (within the four corners of the general prohibition); and that such circulation as had taken place had occurred against the will of the translator. This is not mere sophistry. What seems to have happened was this.