Frederic Chopin: His Life, Letters, and Works, v. 1 (of 2)Karasowski, Maurycy
History
Frederic Chopin: His Life, Letters, and Works, v. 1 (of 2)
Karasowski, Maurycy
Chopin, Frédéric, 1810-1849
[79] Sabine Heinefetter, the most famous and distinguished of the
three sisters, who all excelled as great singers; in Milan, even among
Italians, she shone as a star of the first magnitude. Circumstances
obliged her to leave the stage while still in full possession of her
powers.
[80] Franz Wildt, the most celebrated, and in truth the best tenor
singer the German opera possessed from 1820 to 1845. His voice and
training were alike first-rate.
[81] Anton Orlowski, a fellow-student of Chopinʼs, a talented musician,
afterwards chapel-master at Rouen. Born in Warsaw 1811, died 1861.
[82] Viz., not Jewish.
[83] Joseph Slawick, born in Bohemia in 1806, studied at the Prague
Conservatoire, under Pixis, at the expense of Count Wrbna; he died at
Pesth in 1833, just as he was about to commence a long artistic tour.
[84] A reference, perhaps, to the disturbances then prevailing in the
Peninsular.
[85] Fräulein Constantia Gladkowska was in the habit of going to the
Bernhardine Church, which was close to the Conservatoire.
[86] The Conservatoire, where Constantia boarded, was near the statue
of King Sigismund.
[87] Chopin often called his sisters his children.
[88] This letter, written on two loose sheets, was found enclosed
in one to his parents, which had no envelope, and was only slightly
sealed. Frederic had written under the direction these words to his
sisters, “You are requested not to break the seal, and not to be
inquisitive, like old women.”
INDEX.
Accent, Exaggeration of, 288.
Adagio in the E minor Concerto, op. 11, 99.
Adagio in 2nd Concerto, 113, 136.
Aelomelodicon, 33.
Allgemeine Musikalische Zeitung, 216.
Art Forms, Lisztʼs observations on, 335.
Bach, Sebastian, 289, 290, 329.
Ballade, op. 23, 241.
Ballads, op. 23, 38, 47, 52, 344.
Barcarole, op. 60, 301.
Beethoven, 129, 330, 340.
Beethovenʼs Adagio from the C sharp minor Sonata, 279.
Beethovenʼs Last Trio, 102.
Beethovenʼs Opinions, 142.
Beethovenʼs Pianoforte Concertos, 142.
Beethovenʼs Sonatas, 141.
Beethovenʼs Violin Concerto, 142.
Belleville, Mlle., 359, 360.
Berceuse, op. 57, 301.
Berlioz, 328.
Blahetka, Leopolda, 77.
Bolero, op. 19, 241.
Brodzinski, Casimir, 125.
Broken Chords, 138.
Catalini, 19, 145.
Cavaignac, Gottfried, 327.
Chmiel, 69.
Chopin as a Teacher, 273.
Chopinʼs Imitative Talent, 276.
Chopin, (Emily), 11.
Chopin, (Justine), 8.
Chopin, (Louisa), 11.
Chopin, (Nicholas), 3.
Chord, Detached, 21.
Chord, Slurred, 21.
Cibini, Fräulein, 167.
Clary, The Princess Aloysia von, 83.
Classic School, 328.
Clementiʼs “Gradus ad Parnassum,” 285.
Compositions published in Warsaw, 101.
Concerto in E minor, 119, 217, 246.
Concerto in F minor, 107, 118, 165, 233.
Concertos, 133.
Constantine, 20, 171.
Counterpoint, Knowledge of, 28.
Cramer, 143.
Czerny, 97, 166, 201.
“Dame Blanche,” 69.
Damereau-Cinti, Madame, 236.
Public-domain text, read in full here on John Shaqi.
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