Dance Forms, 339. Dances, 91. Der Freischütz, 41, 140. Diminished Chord, 138. Don Juan Variations, 336. Dudevant, Aurora, 261. Dunst, 355. Earliest Compositions, 19. Elsner (Joseph Xaver), 15, 21, 212, 233, 352, 354, 367. Elsnerʼs Echo Variations, 156. Elsnerʼs Masses, 195. Etudes, op. 10, 133. Etude in A flat, No. 10, op. 10, 139. Etudes, 348. Fantasia on Polish Airs, 55, 107, 120, 133, 137, 336. Fantasie Impromptu, op. 66, 348. Fantasie Polonaise, op. 61, 343. Faust, 86. Feeling in Pianoforte playing, 286. Fétis, 228. Fidelio, 140. Field, John, 132, 133, 143. Fingering, Novelty of, 242. Fioritures, 337. Floriani, Lucrezia, 303. Flotow, 144. Fontana, Julius, 35. Form, Newness of, 131. “Fra Diavolo,” 169. Franchomme, 338. Fuchsʼ, Aloys, Collection of Autograph Works, 206. Funeral March in the Sonata, op. 35, 321, 338. Gazette Polska, 353. Gladkowska, 117, 359, 361. Glasgow, 312. Gluck, 329. Grande Polonaise Brillante, op. 22, 241. Grzymala, Franz, 38. Gutmann, 307, 320. Gyrowetzʼs Pianoforte Concerto, 18. Handel, 329. Handelʼs “Ode on St. Ceciliaʼs Day,” 50. Handelʼs Oratorio, 41. Haydn, 329. Heine, 263, 334. Heinefetter, Sabine, 169, 185. Herz, 143, 231. Hesse, 155, 201. Hiller, 231, 233. Hummel, 60, 143, 196, 336. Hummelʼs influence, 129. Hummelʼs “La Sentinelle,” 352. Impromptu, op. 29, 241. Impromptu, op. 36, 275. Improvisation, 23, 29, 58, 68, 71, 95, 260, 279. Independence of fingers, 285. Introduction et Polonaise Brillante pour Piano et ʼCello, op. 3, 129. Iris, The, 133. Jewish Wedding March, 25. Kalkbrenner, 143, 221, 231. Kalkbrennerʼs Concerto, 24. Klengel, August Alexander, 79, 81, 97, 143, 159, 160, 161. Klengelʼs 48 Canons and Fugues, 97. Köhler, 155. Kreutzer, 146. Kreutzer, “Das Nachtlager von Granada,” 144. Kurjer Szafarski, 24, 25. Kurpinski, 340, 353. Kurpinskiʼs Szarlatan, 235. Lablache, 235. Lachner, 144. “La ci darem la mano,” op. 2, 130. La Mara, 287. Larghetto from the 2nd Concerto, 137. Left Hand in Pianoforte Playing, 289. Leiden Christi, 15. Likl, 175. Lind, Jenny, 314. Linde (Madame von), 13. Lipinski, Charles, 145. Liszt, 135, 260, 277, 278, 279, 280, 328, 332. Lortzing, 144. Louis Ferdinand, Prince, 102. Majorca, 266. Majufes, 25, 201. Malfatti, 166, 170. Malibran, 235. “Marquise de Brinvilliers,” The, 236. Marschner, “Der Templar und die Jüdin,” 144. Marschner, “Hans Heiling,” 144. “Matrimonio Segreto,” 50. Matuszynski, Johann, 151, 300. Maysederʼs Solos, 66. Mazurka, Chopinʼs Last, 348. Mazurkas, 91, 180, 287, 339. Mazurkas, op. 6 and 7, 131, 339. Mazurkas, op. 17, 339. Mazurkas, op. 24, 241, 339. Mazurkas, op. 30, 339. Mazurkas, op. 33, 339. Mazurkas, op. 41, 275. Mazurkas, op. 50, 339.