Frederic Chopin: His Life, Letters, and Works, v. 1 (of 2) — John Shaqi
Frederic Chopin: His Life, Letters, and Works, v. 1 (of 2)Karasowski, Maurycy
History
Frederic Chopin: His Life, Letters, and Works, v. 1 (of 2)
Karasowski, Maurycy
Chopin, Frédéric, 1810-1849
The Congress will commence its sittings the day after to-morrow,
and Herr Lichtenstein has promised me a ticket. In the evening
Alex. von Humboldt will receive the members at his house: Professor
Jarocki offered to procure me an invitation, but I thanked him and
said I should gain little, if any, intellectual advantage from
such a gathering, for which I was not learned enough; besides the
professional gentlemen might cast questioning glances at a layman
like me, and ask, “Is Saul then among the prophets?” I fancied,
even at the dinner, that my neighbour, Professor Lehmann, a
celebrated botanist from Hamburg, looked at me rather curiously.
I was astonished at the strength of his small fist; he broke with
ease the large piece of white bread, to divide which I was fain
to use both hands and a knife. He leaned over the table to talk
to Professor Jarocki, and in the excitement of the conversation
mistook his own plate and began to drum upon mine. [Sidenote: “A
REAL SAVANT.”] A real _savant_, was he not? with the great ungainly
nose, too. All this time I was on thorns, and as soon as he had
finished with my plate, I wiped off the marks of his fingers with
my serviette as fast as possible.
Marylski cannot have an atom of taste if he thinks the Berlin
ladies dress well; their clothes are handsome, no doubt, but alas
for the beautiful stuffs cut up for such puppets!
Your ever fondly loving,
FREDERIC.
* * * * *
_Berlin, September 20th, 1828._
I am well and happy, dear Parents and Sisters. As if on purpose
to honour me, a fresh piece is brought out at the theatre every
day. First I heard an oratorio at the Academy of Singing; then
at the Opera, “Ferdinand Cortez,” “Il Matrimonio Segreto,”
and Onslowʼs[20] “Der Hausirer.” I greatly enjoyed all these
performances, but I must confess that I was quite carried away by
Handelʼs “Ode on St. Ceciliaʼs Day;” this most nearly approaches
my ideal of sublime music. With the exception of Signora Tibaldi
(alto), and Fräulein von Schätzel, whom I heard in “Der Hausirer,”
and at the Academy of Singing, all the best singers are away.
Fräulein von Schätzel pleased me best in the Oratorio, but it may
have been that I was in a better mood that evening for listening.
The Oratorio, however, was not without a “but,” which, perhaps,
will only be got rid of in Paris.
Public-domain text, read in full here on John Shaqi.
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