Frederic Lord Leighton: An Illustrated Record of His Life and WorkRhys, Ernest
General
Frederic Lord Leighton: An Illustrated Record of His Life and Work
Rhys, Ernest
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
We ought not to overlook another idyllic picture in the same exhibition,
_Whispers_, an illustration of Horace's well-known line, "Lenesque sub
noctem susurri." In this charming work, amid masses of crimson flowers
and green leaves, two lovers are seen seated upon a marble bench, while
he whispers tenderly in her ear, and she listens with dreamy eyes and
maidenly mien. The noble picture of _Elisha and the Shunamite's Son_
(reproduced at p. 114) was also shown this year, as well as _Bianca_, a
fair-haired girl in a white dress, standing with folded arms, _Viola_,
and two portraits, _Mrs. Augustus Ralli_, exhibited at the Royal
Academy, and _Mrs. Algernon Sartoris_, at the Grosvenor Gallery.
In the 1882 Academy appeared two of the most popular of Sir Frederic's
pictures, _Wedded_ and _Day Dreams_. In the latter, a fair Sybarite is
pressing her cheek against her hands, as she stands near a tapestry,
with eyes gazing far away, the images of love-dreams in them; her purple
mantle, embroidered with silver, produces a charming effect of colour.
Still more famous is _Wedded_,--"one of the happiest of Sir Frederic's
designs," said a critic at the time, "and as a composition of lines,
difficult, subtle, and original, may be called one of the most
remarkable productions of this decade." Other pictures shown this year
were _Antigone_ and the much-debated _Phryne at Eleusis_--a notable
study of the famous hetaira, who is seen standing, and holding out with
one hand the mass of her deep auburn hair. Her skin is of a ruddy golden
hue, as if seen under a glow of sunlight. Red tissue, which falls from
her shoulders and extended arms, and an olive-coloured mantle that has
fallen at the foot of the marble columns behind her, backed by a sky,
very characteristic of the painter, in which snowlike masses of cloud
float in a southern azure, produce a total effect of a certain
super-womanly order of beauty. A _Design for a portion of a Proposed
Decoration in St. Paul's_, a picture entitled _Melittion_, and a
_Portrait of Mrs. Mocatta_, were also hung at the Academy in 1882;
_Zeyra_, a little Eastern child in plum coloured headdress, a rich bit
of colour elaborately painted, was shown at the Grosvenor Gallery.
Public-domain text, read in full here on John Shaqi.
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