He belligerently shouldered into a low room. The light from the one
window was almost obscured by racks of musty-smelling black clothes
which stretched away from him in two dismal aisles that resembled a
morgue of unhappy dead men indecently hung up on hooks. On a long,
clumsily carpentered table, a small Jew, collarless, sweaty, unshaven,
was darning trousers under an evil mantle gaslight. The Jew wrung out
his hands and tried to look benevolent.
"Want to rent a dress-suit," said Milt.
"I got just the t'ing for you!"
The little man unfolded himself, galloped down the aisle, seized the
first garment that came to hand, and came back to lay it against Milt's
uncomfortable frame, bumbling, "Fine, mister, fy-en!"
Milt studied the shiny-seamed, worn-buttonholed, limp object with
dislike. Its personality was disintegrated. The only thing he liked
about it was the good garage stink of gasoline.
"That's almost worn out," he growled.
At this sacrilege Mr. Silberfarb threw up his hands, with the dingy suit
flapping in them like a bed-quilt shaken from a tenement window. He
looked Milt all over, coldly. His red but shining eyes hinted that Milt
was a clodhopper and no honest wearer of evening clothes. Milt felt
humble, but he snapped, "No good. Want something with class."
"Vell, that was good enough for a university professor at the big dance,
but if you say so----"
In the manner of one who is being put to an unfair amount of trouble,
Mr. Silberfarb returned the paranoiac dress-suit to the rack, sighing
patiently as he laboriously draped it on a hanger. He peered and pawed.
He crowed with throaty triumph and brought back a rich ripe thing of
velvet collar and cuffs. He fixed Milt with eyes that had become as
sulky as the eyes of a dog in August dust.
"Now that--you can't beat that, if you vant class, and it'll fit you
like a glove. Oh, that's an ellllegant garment!"
Shaking himself out of the spell of those contemptuous eyes Milt opened
his brochure, studied the chart, and in a footnote found, "Never wear
velvet collars or cuffs with evening coat."
"Nope. Nix on the velvet," he remarked.
Then the little man went mad and ran around in circles. He flung the
ellllegant garment on the table. He flapped his arms, and wailed, "What
do you vant? What do you vannnnt? That's a hundred-and-fifty-dollar
dress-suit! That belonged to one of the richest men in the city. He sold
it to me because he was going to Japan."
"Well, you can send it to Japan after him. I want something decent. Have
you got it--or shall I go some place else?"
The tailor instantly became affectionate. "How about a nice Tuxedo?" he
coaxed.
"Nope. It says here--let me see--oh yes, here it is--it says here in the
book that for the theater-with-ladies, should not wear 'dinner-coat or
so-called Tuxedo, but----'"
"Oh, dem fellows what writes books they don't know nothing. Absolute!
They make it up."
Public-domain text, read in full here on John Shaqi.
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