"Huh! Well, I guess I'll take my chance on them. The factory knows the
ignition better 'n any repair-man."
"Vell say, you're a hard fellow to please. I'll give you one of my
reserve stock, but you got to leave me ten dollars deposit instead of
five."
Mr. Silberfarb quite cheerfully unlocked a glass case behind the racked
and ghostly dead; he brought out a suit that seemed to Milt almost
decent. And it almost fitted when, after changing clothes in a broiling,
boiling, reeking, gasoline-pulsing hole behind the racks, he examined it
before a pier-glass. But he caught the tailor assisting the fit by
bunching up a roll of cloth at the shoulder. Again Milt snapped, and
again the tailor suffered and died, and to a doubting heathen world
maintained the true gospel of "What do you vannnnt? It ain't stylish to
have the dress-suit too tight! All the gents is wearing 'em loose and
graceful." But in the end, after Milt had gone as far as the door, Mr.
Silberfarb admitted that one dress-coat wouldn't always fit all persons
without some alterations.
The coat did bag a little, and it was too long in the sleeves, but as
Milt studied himself in his room--by placing his small melancholy mirror
on the bureau, then on a chair, then on the floor, finally, to get a
complete view, clear out in the hall--he admitted with stirring delight
that he looked "pretty fair in the bloomin' outfit." His clear face, his
shining hair, his straight shoulders, seemed to go with the costume.
He wriggled into his top-coat and marched out of his room,
theater-bound, with the well-fed satisfaction of a man who is certain
that no one is giggling, "Look at the hand-me-downs." His pumps did
alternately pinch his toes and rub his heels; the trousers cramped his
waist; and he suspected that his tie had gone wandering. But he
swaggered to the trolley, and sat as one rich and famous and very kind
to the Common People, till----
Another man in evening clothes got on the car, and Milt saw that he wore
a silk hat, and a white knitted scarf; that he took out and examined a
pair of white kid gloves.
He'd forgotten the hat! He was wearing his gray felt. He could risk the
gloves, but the hat--the "stovepipe"--and the chart had said to wear
one--he was ruined----
He turned up the collar of his top-coat to conceal his white tie, tried
to hide each of his feet behind the other to cover up his pumps; sought
to change his expression from that of a superior person in evening
clothes to that of a decent fellow in honest Regular Clothes. Had the
conductor or any of the passengers realized that he was a dub in a
dress-suit without the hat?
Once he thought that the real person in real evening clothes was looking
at him. He turned his head and bore the probable insult in weak misery.
Too feeble for anything but thick suffering he was dragged on toward the
theater, the opera, people in silk hats--toward Jeff Saxton and
exposure.
Public-domain text, read in full here on John Shaqi.
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