Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
Duer could not endure this storm without an upwelling of pity for her.
He cuddled her close in his arms, extremely sad that she should be
compelled to suffer so. What should he do? What could he do? He could
see how it was. She was hurt; she was neglected. He neglected her when
among others. These smart women whom he knew and liked to talk with
neglected her. They couldn’t see in her what he could. Wasn’t life
pathetic? They didn’t know how sweet she was, how faithful, how glad
she was to work for him. That really didn’t make any difference in
the art world, he knew, but still it almost seemed as if it ought to.
There one must be clever, he knew that--everybody knew it. And Marjorie
was not clever--at least, not in their way. She couldn’t play or sing
or paint or talk brilliantly, as they could. She did not really know
what the world of music, art, and literature was doing. She was only
good, faithful, excellent as a housewife, a fine mender of clothes, a
careful buyer, saving, considerate, dependable, but----
As he thought of this and then of this upwelling depth of emotion of
hers, a thing quite moving to him always, he realized, or thought he
did, that no woman that he had ever known had anything quite like this.
He had known many women intimately. He had associated with Charlotte
and Mildred and Neva Badger and Volida Blackstone, and quite a number
of interesting, attractive young women whom he had met here and there
since, but outside of the stage--that art of Sarah Bernhardt and
Clara Morris and some of the more talented English actresses of these
later days--he persuaded himself that he had never seen any one quite
like Marjorie. This powerful upwelling of emotion which she was now
exhibiting and which was so distinctive of her, was not to be found
elsewhere, he thought. He had felt it keenly the first days he had
visited her at her father’s home in Avondale. Oh, those days with her
in Avondale! How wonderful they were! Those delicious nights! Flowers,
moonlight, odors, came back--the green fields, the open sky. Yes; she
was powerful emotionally. She was compounded of many and all of these
things.
Public-domain text, read in full here on John Shaqi.
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