Russ hamlets are so closely modelled on a common type, that when you
have seen one, you have seen a host; when you have seen two, you have
seen the whole. Your sample may be either large or small, either
log-built or mud-built, either hidden in forest or exposed on steppe;
yet in the thousands on thousands to come, you will observe no change
in the prevailing forms. There is a Great Russ hamlet and a Little
Russ hamlet; one with its centre in Moscow, as the capital of Great
Russia; the second with its centre in Kief, the capital of Little
Russia.
A Great Russ village consists of two lines of cabins parted from each
other by a wide and dirty lane. Each homestead stands alone. From ten
to a hundred cabins make a village. Built of the same pine-logs,
notched and bound together, each house is like its fellow, except in
size. The elder's hut is bigger than the rest; and after the elder's
house comes the whisky shop. Four squat walls, two tiers in height,
and pierced by doors and windows; such is the shell. The floor is mud,
the shingle deal. The walls are rough, the crannies stuffed with moss.
No paint is used, and the log fronts soon become grimy with rain and
smoke. The space between each hut lies open and unfenced; a slough of
mud and mire, in which the pigs grunt and wallow, and the wolf-dogs
snarl and fight. The lane is planked. One house here and there may
have a balcony, a cow-shed, an upper story. Near the hamlet rises a
chapel built of logs, and roofed with plank; but here you find a flush
of color, if not a gleam of gold. The walls of the chapel are sure to
be painted white, the roof is sure to be painted green. Some wealthy
peasant may have gilt the cross.
Beyond these dreary cabins lie the still more dreary fields, which the
people till. Flat, unfenced, and lowly, they have nothing of the
poetry of our fields in the Suffolk and Essex plains; no hedgerow
ferns, no clumps of fruit-trees, and no hints of home. The patches set
apart for kitchen-stuff are not like gardens even of their homely
kind; they look like workhouse plots of space laid out by yard and
rule, in which no living soul had any part. These patches are always
mean, and you search in vain for such a dainty as a flower.
Public-domain text, read in full here on John Shaqi.
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